XP1 as a wedding tool

texchappy

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Got a friend getting married later this year. Though I'm not the photographer for the wedding, it started me wondering what I would use if I was. Right now my only digital camera is the XP1.

So is it a good tool for wedding photography? Would you be comfortable using it as your main rig for a wedding shoot? What lenses on (or off) the roadmap would you need to feel comfortable/make it useful?

If not, what is it lacking?

TIA,
Tony
 
The answer is: it depends.

A lot of wedding photographers will say you need at least two DSLR, two or more f/2.8 zoom lenses covering 24-200mm, and flashlights for both.

Personally I couldn't be bothered with any of that and I shoot weddings using one DSLR with 75/1.4 (equiv) and an X100, all available light. I sold of my flashlights and leave the f/2.8 zoom lenses in the car (with the backup body).

So, you can use anything that suits your style of shooting, but of course my pictures of the opening dance with be very different than those of another photographer with a flashlight... Being clear about that with the client/friend in advance is the most important thing here, I believe.

Here's a good interview on wedding photography in a slightly alternative fashion... he makes a lot of good points.
http://photo.net/photographer-interviews/jeff-ascough/

The XP1 would definitely suit my style of shooting weddings, if I were comfortable with it. The only thing I would do is get a second body cause there really is no time for changing lenses in some situations.
 
Hi Tony, to date, I've shot 3 weddings on the Fuji XP1 and I should be posting the images up on my blog pretty soon. I've found that I really like using the camera for wedding photography, with my rig being the xp1 with the 18 and 35mm fuji lens. For telephoto, I've been using the Leica 75 summilux with the leica adapter from Fuji. I like it so much that I'll likely be selling my nikon rig later this year and just shooting weddings on the XP1.

When the 14mm and the 55mm lens comes out later this year, I'll probably purchase those and drop the leica 75mm, as the 75mm has quite a lot of purple fringing when shooting backlit scenes. I've been using the fuji flash for low light and also pocket wizards attached to my nikon sb 28s.

The Fuji xp1 is a great camera for it's light weight. The focusing isn't as fast as my Nikon d700, but nothing moves terribly fast at a wedding anyway. Besides, my other camera at a wedding is normally a contax 645 which I focus manually so AF of any kind is already quite a step up for me. Low light focusing hasn't been a problem for me, or not to the extent that people have made it out to be. If you've ever had experience shooting the old canon 5d mk1, you should have no problem with the fuji xp1.

One more aspect that makes the xp1 a great camera is that there are interesting modes like the panoramic mode, the ability to use IR filters etc, that allows you to deliver images that are unique.

Especially given that you're not the main photographer, you'll have a ball and would probably have no problem shooting with this camera.
 
i was at a wedding this weekend, and the photographer was shooting with a DSLR. she clearly had it on as many frames per second she could shoot and every time she took a frame she took at least three. (she was a paragon of the spray and pray method of photography.) this method was both noisy and distracting.

i have never used an XP1 before, but my x100 was remarkably silent. i think that if you were shooting one at a wedding, it would be a breath of fresh air - provided you didn't need a zoom or need to use really long lenses.
 
I don't shoot weddings anymore but if I did I would definitely be happy to shoot a wedding with an x-pro1 and an x100. AF is about the same as my old 5d which is the wedding photographers staple camera.
 
Nothing to do with the camera, everything to do with image

Nothing to do with the camera, everything to do with image

Can't speak to the capability of the camera.. don't have one.. don't plan to have one.

And, if this is a one off situation (you don't plan on becoming a career WP), what I have to say won't apply.

You cannot project an image of professionalism with a single camera that doesn't look much different than the many P&S cameras either with or owned by attendees, let alone the wedding party.

There has been discussion on this on many forums, and likely a reason why many professionals load on the DSLR gear and drag it all out to weddings.

It appears that, notwithstanding the problems that the Fuji has demonstrated, the camera is as capable as many of the older DSLR cameras WP's are carrying. However, it doesn't create much of an impression for people paying for the images to see a photographer walk in with one camera that would fit in a fanny pack.

"Heck, uncle George has a wonderful and cute little camera he bought a few years ago and has shown us some excellent pictures. I bet he'd do it for nothing??"

Unfortunately, and no pun intended, in business "image" is everything. Career photographers, to sell their services must still look "professional".

This may change, but I think at this time, the world is not ready to shell out big bucks for pictures from a perceived "toy" camera.

I do not think that even as the "chosen" photographer, you have the latitude of NOT looking professional to the general crowd at most paid events. It's called "marketing" and looking like a professional is VERY important in acquiring future business.

comment overheard:

"Gee that photographer seemed to know what he was doing, and was both thorough and professional. I wonder why he was shooting with such a cheap camera, and no backup???? Hmmmm..."
 
The answer directly above this one is ludicrous. I'm not a wedding photographer, but I suspect I would actually talk to the couple before showing up. If they liked my pictures, maybe they would hire me.

XP1 looks like a Leica (whether you like it or not); so if you shot a wedding on a Leica, it would convey the wrong image.
 
I tried to use it this year for a wedding I shot back in July - it would be..well.. "ok" but I can't see myself using it as my main camera. I shot the wedding instead entirely on film using my M7s and my Rolleiflex.

I think the camera could be great for getting ready photos and potentially candids but the AF on the camera is not up to snuff yet for what I would use it for at the widest aperture settings given on the lenses. If you stop down to f4 or f5.6 on just about any lens you'll be "ok" but wide open is a gamble imho for things like recessional/processional/first dance etc.

Using manual focus M-Mount lenses on the body may be easier BUT you have to take into account that focusing is not like focusing on an M-mount body like an M7, M6 etc. Again, stopping down and using the scale on the lenses may result in a higher number of keepers.

Cheers,
Dave
 
xp1/x100 look like pro cameras to me. If you shot a wedding with a nex or olympus pen maybe you'd be right with the 'image' thing. But definitely - wedding clients always decide on a photographer after a meeting and a portfolio viewing. It's pretty irrelevant what kind of cameras are used.

Riccis Valladares uses film and digital leica M's and is considered one of the best wedding photographers in the US.

Jose Villa is featured as an x-pro1 photographer on the x-pro1 website - under 'X photographers' so he is either currently using it, or has used it at one point. Another highly respected wedding photog.
 
Can't speak to the capability of the camera.. don't have one.. don't plan to have one.

And, if this is a one off situation (you don't plan on becoming a career WP), what I have to say won't apply.

You cannot project an image of professionalism with a single camera that doesn't look much different than the many P&S cameras either with or owned by attendees, let alone the wedding party.

There has been discussion on this on many forums, and likely a reason why many professionals load on the DSLR gear and drag it all out to weddings.

It appears that, notwithstanding the problems that the Fuji has demonstrated, the camera is as capable as many of the older DSLR cameras WP's are carrying. However, it doesn't create much of an impression for people paying for the images to see a photographer walk in with one camera that would fit in a fanny pack.

"Heck, uncle George has a wonderful and cute little camera he bought a few years ago and has shown us some excellent pictures. I bet he'd do it for nothing??"

Unfortunately, and no pun intended, in business "image" is everything. Career photographers, to sell their services must still look "professional".

This may change, but I think at this time, the world is not ready to shell out big bucks for pictures from a perceived "toy" camera.

I do not think that even as the "chosen" photographer, you have the latitude of NOT looking professional to the general crowd at most paid events. It's called "marketing" and looking like a professional is VERY important in acquiring future business.

comment overheard:

"Gee that photographer seemed to know what he was doing, and was both thorough and professional. I wonder why he was shooting with such a cheap camera, and no backup???? Hmmmm..."

i hear this mantra from the wedding shooter crowd a lot. more than anything to do with learning the logic/language of design. maybe that's why it all looks the bloody same to me?

at the college where i taught, the turn out for the art and design segment of the program was less than 25%. for creative photoshop? close to full attendance. for the gear sign out? a line up in the morning.

if an xpro-whatever is what you jive with, feel comfortable using and provides the results you need, switching to a more 'professional' looking kit for the sake of the guests seems illogical to me.

forgive any sour tones here but every program i lecture/teach at spews this same stuff and it's bothersome. it creates roadblocks and homogenization. Chase Jarvis says it, so it must be true.

i almost exclusively use point and shoot cameras when i work. this is not said so folks can create dogma. they provide the interface, finished product and conditions that help me carve out my look/niche/brand. if i had listened to the 'big camera/professional' line, that i heard almost daily as my career grew, i am confident i would not be where i am today. i would be another of the 100's of wire stringers in my neck of the woods, with 30 lbs of gear around my neck, wondering how to make ends meet and stick out amongst the masses.

dare to be different. you might be surprised at the results.
 
I shot a wedding as Uncle Bob with the XP1 and X100. There were no issues. The shutters are quiet and the cameras are subtle. The light at the reception was low. I typically soot B&W at recetions because I am focusing on candids with emotional content and I fell B&W works best for that. This lets me shoot raw at ISO 1600 and push1 stop in LR with no problem.

There are some venues where you need a fast telephoto zoom lens such as a 70-200/2.8 with image stabilization. So I don't think the XP1 can completely replace a DSLR for weddings.

I recently read reports on another forum that the most recent Pocket Wizards are compatible with the XP1. The fast shutter sync speeds of the X100 would be great for outdoor fill light.

I would not hesitate shooting all my candid guest and wedding part shots with the APS-C Fuji X cameras. I think I would shoot the ceremony with the D700.
 
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