Yes, Virginia, You Really Can Get Bokeh from a Small Sensor Compact...

NickTrop

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The case for the small sensor high-end compact...

So -- went "monumenting" in DC over the weekend. Decisions, decisions. Film? Digital? Do I bring the big camera(s) with a bunch of lenses? Lots of architecture, but I'll be walking a lot -- and taking bunches of pics. Decided to go with a recently acquired (on a whim) "new to me" Olympus XZ-1. Glad I did.

Lots of folks walking around with lots of camers -- digital, film (always nice to see...) Canon SLRs, Nikon SLRs, 4/3rd's, the Fuji XPro... And the one thing I always said about these 4/3rd's cameras in particular -- by the time you slap a lens on them, you're really not saving much weight/space/bulkiness (unless it's a pancake lens...) Sling this diminutive 10oz compact around your shoulder you won't even know its there. Every focal lenght lens you want is built-in and performs exceedingly well.

As far as small sensor compacts, I always thought that you might as well use a cell phone given the sensor size, and that the higher-end ones were too expensive -- might as well get an entry 4/3 or compact DSLR for the money. Plus? No bokeh. Not that you want it in every shot but gotta be able to throw the background at least a little out of focus when you want to.

Long story short (impossible at this point), this Oly is really changing my mind. The lens on this thing is fantastic. It's fast (1.8 to 2.5) and the range is perfect - 28mm to 112mm. Other manufactures lure you in with "f1.4" and a "24mm" on the wide end, but the focal lenght on the tele end is too short to give you any practical DOF play with a small sensor. It is absolutely sharp at all aps, corner to corner. It's a jewel. And because of the small sensor, it is tiny and light -- even when fully extended. It's like having a bag of excellent primes but you don't have to change lenses and it weighs ounces.

I also love the Oly processing engine. They just nail it. I like it so much I shoot jpeg and haven't seen the need to futz with anything. Color reminds me of Kodak Ultra, which I just love. I also like its black and white mode and its lower contrast settings. Again, Oly just nailed it. It has built-in (firmware, of course) "filters" -- ND, and yellow, green, orange, and red for BW. It uses a CCD -- which imo is simply a "must" for video (a main reason I bought it...) I can. not. stand. rolling shutter. artifacts. in. video.

As far as noise? Yes -- noisy at anything over ISO 800 (800 is usable) BUT in typical ambient light situations -- that is "real" shooting situations, perfectly fine. The firmware prioritizes keeping the ISO as low as possible, leveraging the camera's excellent IS and lens speed. It rarely shoots over 200. If you want to get a higher ISO because of motion blur, shoot shutter priority. If you want to shoot in available darkness -- use a flash or that's when you bring a camera with a larger sensor. But in general ambient light? Camera in "real shooting situations" -- not "internet camera review tests", it performs like a champ.

Oly got this one right. Perhaps these cameras were overlooked. "*** ***'d" -- like I did. But I have found my digital "rangefiner" and its name is the Olympus XZ-1. The XZ-2 is also purportedly excellent, Oly switched to a backlit CMOS and that buys you an extra stop, noise-wise, and it has a flexible LCD. I'll stick with the first version's CCD for video.

And -- finally, "bokeh" in a small sensor compact.

untitled_by_nicktrop-d8osivl.jpg
 
Great colors -- natural skin tone while giving punchy but not unnatural colors. This reminds me of Kodak Ultra. Also good in ambient light (restaurant, at night -- no flash), auto white balance... All the photos on this thread by the way, are straight out of the camera (a few with in-camera processing...) No LR, not RAW processor, no PS
untitled_by_nicktrop-d8osikx.jpg
 
Great choice of focal length... Usable for photographers, no "trying to win the spec wars" marketeering nonsense. Just a great lens. 28mm -- maybe not "the best" for architecture shots like this, but "wide enough" for most practical applications.
untitled_by_nicktrop-d8osj7z.jpg
 
28-112 1.8-2.5 lens is sharp corner to corner even wide open at all apertures. No need to stop down. Shoot wide open all day long. Lens has no bad habits -- minimal barrel/pincushion at the ends. Haven't seen any obtrusive fringing. It is a gem and it's tiny, even zoomed out. It even handles flare well. I've used many a lens, and know from lenses... the good, the bad, the ugly. This is the first compact camera lens Olympus saw fit to designate with "Zuiko" by the way. Glad to see such designation still means something to at least "one" manufacturer, anyway.

untitled_by_nicktrop-d8osjgl.jpg
 
Ten ounces... Get yourself an inexpensive "leatherette" 1/2 case, sling it around your neck, will travel (literally). Best $95 I ever spent on a "new to me" camera.

The Olympus XZ-1... the overlooked digital "rangefinder". "Old" by digital standards, it's a used market bargain and a fantastic camera.

images
 
Hi Nick,
I recently got a Panasonic LUMIX LC1. It is 5MP camera with a great lens (Vario Summicron 7-22.5 or 29-90 equivalent)
 
Raid -- I have to be honest with you. I love the "look" of that camera. I "was" tempted by its lure many times. The big Leica lens, the optical VF, its sexy looks. However, I wouldn't, these days, use any small sensor digital pre-2010 unless it's a compact ultra zoom. I think that from the early-2000's and for the next 10 years, digital was emerging tech. Low resolution sensors, slow write times, frustrating AF, so-so dynamic range, limited ISO due to noise. This is why I stuck with film (and still use it...) Since (I'd say) 2010-ish, like PCs, the innovation is levelling off in terms of the aforementioned. In the case of the camera you mentioned, I also think that "L" moniker inflates its price.

I hope you enjoy your camera... just my opinion. If you're looking for a "great" cheap digital camera, I'd take a hard look at this Oly, personally. You, of course, can take great pictures with a potato. Me? I need all the help I can get.

Here's another in-camera processed using portrait mode.

The key with this camera is that the focal length is "just" long enough, and the ap "just" fast enough, and the sensor "just" big enough to squeeze a little bokeh out of it. "Finally".

untitled_by_nicktrop-d8osj25.jpg
 
Hi Nick,
I have experienced already situations in which the LC1 did not do well and it is more a fun camera to use here and there, when suitable. We live in sunny Florida, so a slow camera is fine for beach photos.

I love my Olympus E-P2 and E-PL1 cameras. The M4/3 cameras are very useful overall.
If needed, I put on an AF small lens, and I have an AF camera, and when possible, I use a vintage lens for a sharp and fast lens.

This may sound crazy, but I am considering using this summer the M9 with 35/1.4 plus E-P2 with 85/1.4 (showing me a 170mm perspective). So I have 35mm and 175mm.

It may actually work out well.
 
Hi Nick,
I have experienced already situations in which the LC1 did not do well and it is more a fun camera to use here and there, when suitable. We live in sunny Florida, so a slow camera is fine for beach photos.

I love my Olympus E-P2 and E-PL1 cameras. The M4/3 cameras are very useful overall.
If needed, I put on an AF small lens, and I have an AF camera, and when possible, I use a vintage lens for a sharp and fast lens.

This may sound crazy, but I am considering using this summer the M9 with 35/1.4 plus E-P2 with 85/1.4 (showing me a 170mm perspective). So I have 35mm and 175mm.

It may actually work out well.

Sounds like a plan, Raid. In your hands I'm sure it will work out well! Like I said, you can take great pics with a potato.
 
So... in summary, "the case for the small sensor compact"... at least as far as this particular Oly model is concerned.

1. Small zoom lenses can capable of sharp results across the frame at all apertures -- no losting stops because you stop down. Shoot wide open.

2. Because the sensor is small, the lens is small.

Thus, you have a zoom lens that gives you all the "prime" focal lengths 28, 35, 50, 85, 112 that is an outstanding performer in a diminutive size. No need to change lenses. These "primes" are also fast with an f1.8-2.5 range.

3. A major downside is that "you can't get bokeh from a small sensor". These particular models from Olympus (XZ-1, XZ-2) prove this not to be the case.

4. The fast lens and image stabilization enables you to shoot fine in ambient/normal room light. While you won't get super high ISOs like a DSLR it's not really necessary due to the aforementioned.

5. The quality of the output is excellent. There is ample resolution for larger prints.

6. A bargain on the used market.

Basically, if you want a very discreet camera that is highly versatile whose zoom lens is, literally, as good as a bag of primes (in many ways better) don't discount these cameras.

Personally? I think they're the solution.
 
Nick, I find the LX3 fills a similar niche - very small compact with manual control, excellent IQ, good DOF separation and bokeh. I upgraded to a Nikon V1 for a silly price on closeout, but the V1 is physically bigger and the ergonomics are not as good, although it does have an EVF.

Nice results from the XZ-1. Thanks for sharing.
 
Question is - at which focal lengths and camera to object distances small sensor blurs background. At tele position, decade ago small 1/1.8" sensors did it already.
 
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