I am 99% sure I shot this with the aforementioned lens. It was a really bright day and I stopped the lens down all the way I think, which caused the less than sharp image. This negative holder also suffers from a light leak at the felt where the dark slide goes. Aside from having low contrast due to no coating and a bit of veiling flare, this lens is extraordinary. 2 elements sitting inside the most reliable internally governed shutter probably ever made. I got it from a ragged Kodak Autographic 3A I bought in the early 2000s and used the body to create a superwide panoramic camera out of. I chucked the lens in a rubbermaid tote for about 10 years and dug it out when I started playing with it on the end of a sacrificed junk push-pull zoom hanging off my Nikon D3.
At about 2 stops from wide open it rivals what my 180mm f/5.6 EBC Fujinon W can do, but just doesn't have the movement. At infinity, the lens will vignette gently, leaving black corners. I think it's just about perfect for portraits at portrait distances and other things within about 5 yards. I can close this lens up in my field camera, which I can't do with any other LF optic I own, so the lens you have with you is a far better shooter than the lens you left at home.
Phil Forrest