ulysses.o
Established
160 seems to be my sweet spot. 160T, 160 pro S, Portra 160. never seems to let me down on the development either.
olleorama
flasher extraordinaire
Different films for different moods and subjects. E.g. medium/large format in studio, defo 100 or 80 (fp4+, acros, reala, portra or tmx), outside with tripod, basically the same, outside handheld usually 400 or faster (fuji 400H, neopan, trix, tmy)
Different films for different effects. For projects I try to stay with the same film and dev.
So I can't really vote.
Different films for different effects. For projects I try to stay with the same film and dev.
So I can't really vote.
menthel
Not very good...
I love the fine grain and look of 100iso but the flexibility of 400iso wins out, especially here in the UK where the light cannot always be relied upon! 
denmark.yuzon
Streetographer
400 for me...
For film, 400. For digital 160 for M9 and 200-3200 for the Fuji X100.
RAZOR
Established
Depends on the subject matter & anticipated light for the roll?
Edit: I tend to have on hand and shoot more 400 than other speed but I like to have a variety in the fridge/bag ready to go.
Edit: I tend to have on hand and shoot more 400 than other speed but I like to have a variety in the fridge/bag ready to go.
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RanceEric
The name is Rance
I shoot a lot of low-light and love the look of Tri-X shot @3200 (devo in Michrophen)
RAZOR
Established
+1 on microphen
Texsport
Well-known
It depends upon the camera and the situation, but in general, since I tend to use BessaL. XPan, and Widelux as "walking around" or street cameras---I use 400 with an occasional 800--generally hand held.
For higher quality shots---mostly scenics with Fujica 670/690, Linho 617, and Noblex150-----I use 50, 100, and occasonally 160 + a tripod.
Use Astia 100 for Nikon 135/2 portrait shots.
I only shoot color.
Texsport
For higher quality shots---mostly scenics with Fujica 670/690, Linho 617, and Noblex150-----I use 50, 100, and occasonally 160 + a tripod.
Use Astia 100 for Nikon 135/2 portrait shots.
I only shoot color.
Texsport
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Mcary
Well-known
Don't know if I'd call it my "preferred" film speed, but ISO 800 or higher is what I seem to use the most these day's. As I often find myself shooting in locations that require ISO 800-1600 to even get 1/30th 1/60th at F 2.8-F4 when shooting medium format.
Mauro
Mauro
I still remember the wonderful slide film Kodak Ektachrome 64 ASA...and I miss it!
At present my favourite film speed is 100 ASA, but if I plan to street shooting I load my camera with a 200 ASA film.
With regard to Black & White, now I am using the Polypan 50 ASA
At present my favourite film speed is 100 ASA, but if I plan to street shooting I load my camera with a 200 ASA film.
With regard to Black & White, now I am using the Polypan 50 ASA
Instantclassic
Hans
I shoot almost exclusively 80 ISO film. B&W both in 35mm and 6x7.
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DougFord
on the good foot
I take pics while out and about during the daytime hours typically, so there's plenty of light available. I'll shoot 400 speed film through a yellow filter most often, followed by TMZ3200@1600 through a yellow filter, and occasionally apx100 sans yellow filter.
htimsdj
Established
I like grain and high contrast for my black and white work, so I'll shoot 400 film at a higher rating.
chomski
jojo
50 panf and HP5 avec deux boitiers
jbielikowski
Jan Bielikowski
funny, I'm the only one in love with ultra slow emulsions.
kdemas
Enjoy Life.
I like to shoot wide open during the day many times so 100 speed film tends to get the nod in my shutter-speed-hampered Leica's. Developing a roll of TX shot at 100 this afternoon as a matter of fact.
bfffer
Established
i love low asa like 50 and 100, but i use 400 for street snapping
Mablo
Well-known
funny, I'm the only one in love with ultra slow emulsions.
Here's another fool for slow film. ISO 50 speed is plenty.
a10101100
Owl in a human suit.
I used to buy a variety of speeds to try all out but find myself sticking to just 400 as it is just easier.. Without having to worry about the different conditions
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