chrism
Well-known
Well I went and did it. XP2 Super at 3200, developed in HC-110 1+49 for 24 minutes. No grain!

Experiment in Push Processing 5 by chrism229, on Flickr
If you click on the link there's a 4096x4096 85% JPEG. Click on that to see at 100% All this effort to make a file that could have come out of the Monochrom!
Chris

Experiment in Push Processing 5 by chrism229, on Flickr
If you click on the link there's a 4096x4096 85% JPEG. Click on that to see at 100% All this effort to make a file that could have come out of the Monochrom!
Chris
Moto-Uno
Moto-Uno
^ Nice choice of stereo equipment too ! Peter
chrism
Well-known
I've just hung up the 35mm XP2 to dry, and I see a problem. The same thing happened with the 120 film - some of the frames are very thin and are probably unusable. When it happened with the 120 film, I assumed that since some were fine, and some were thin, that perhaps the shutter in my ancient Sonnar 150/4 wasn't working at some speeds (they were taken on a tripod at speeds like 1/8 and 1/4 which I probably hadn't used before). But this 35mm film has just come out of an F6 which hasn't had any problems at all and it's showing the same thing. Is it possible that the film has a threshold below which it won't register much of anything? There were no problems with the films going on the Hewes reels and no indication that the film had been in contact with itself or anything of that sort.
So if it's going to be hit or miss I can't recommend 3200.
Here is the 35mm XP2 at 3200. I don't care for the texture very much - it looks like 3200!

Experiment in Push Processing 9 by chrism229, on Flickr

Experiment in Push Processing 7 by chrism229, on Flickr
I'll stick with 1600 for pushing 120 film, and I'll have to find out if the 35mm will tolerate 1600 or whether that ought to be limited to 800.
Chris
So if it's going to be hit or miss I can't recommend 3200.
Here is the 35mm XP2 at 3200. I don't care for the texture very much - it looks like 3200!

Experiment in Push Processing 9 by chrism229, on Flickr

Experiment in Push Processing 7 by chrism229, on Flickr
I'll stick with 1600 for pushing 120 film, and I'll have to find out if the 35mm will tolerate 1600 or whether that ought to be limited to 800.
Chris
Dirk
Privatier
Canon 6D; Olympus OM Zuiko 135mm 3.5
Canon 6D; Olympus OM Zuiko 135mm 3.5
Crown Beach by FilmFlamMan, on Flickr
Canon 6D; Olympus OM Zuiko 135mm 3.5

Dayrell bishop
Well-known
canon 6d 24-70 L
canon 6d 24-70 L
canon 6d 24-70 L

sem
Registered User
chrism
Well-known
It's snowing quite a bit today, so I took the Pen F out for a bit, but not the Rolleiflex. I took my 48 pictures and scanned about half of them, and I was surprised to see the presentable ones were from the shots taken indoors. I may add some outdoors ones tomorrow. The XP2 holds up well in the little half-frame negatives, giving smoother results than I've had with other films.

Lladro by chrism229, on Flickr

Shaving by chrism229, on Flickr

Baby Oranges by chrism229, on Flickr
Chris

Lladro by chrism229, on Flickr

Shaving by chrism229, on Flickr

Baby Oranges by chrism229, on Flickr
Chris
sem
Registered User
Swift1
Veteran

Shadow Dance by Colton Allen, on Flickr
Pentax Z-1p
SMC Pentax-F 35-70mm f/3.5-4.5
Kodak Portra 400
Epson V750-M Pro
menos
Veteran
a few shots from the 2017 Chinese F1 GP:
F1 GP - Shanghai 2017 - Lewis Hamilton by Dirk Steffen, on Flickr
F1 GP - Shanghai 2017 - Max Verstappen by Dirk Steffen, on Flickr
F1 GP - Shanghai 2017 - Sergio Perez by Dirk Steffen, on Flickr
F1 GP - Shanghai 2017 - Lewis Hamilton by Dirk Steffen, on Flickr




sem
Registered User
chrism
Well-known
JoeLopez
Well-known
Some great images in this thread.
I also shoot a Nikon FE2 & F3/T 35mm cameras.
Only one roll processed through the F3/T as I've only had a it a few weeks. Two more in the que for processing/scanning now

Food Trucks return to Campus Martius by Joe Lopez, on Flickr
Nikon F3/T
50mm f1.8
Superia 400

Urban reflection by Joe Lopez, on Flickr
Nikon FE2
50mm f1.8 I believe
TriX 400
I also shoot a Nikon FE2 & F3/T 35mm cameras.
Only one roll processed through the F3/T as I've only had a it a few weeks. Two more in the que for processing/scanning now

Food Trucks return to Campus Martius by Joe Lopez, on Flickr
Nikon F3/T
50mm f1.8
Superia 400

Urban reflection by Joe Lopez, on Flickr
Nikon FE2
50mm f1.8 I believe
TriX 400
sem
Registered User
ellisson
Well-known
SL66E and 80mm planar lens, HP5+ at a stray cinder block in a field.
Wildflower against the wall

Wildflower against the wall
Taipei-metro
Veteran
chrism
Well-known
Peter_wrote:
Well-known
^ very nice one, chrism
Practika Mtl5b, DIY lens, FP4 expired 1994
DIY lens, Fp4 exp. by Der reduzierte Raum, auf Flickr
DIY lens, Fp4 exp. by Der reduzierte Raum, auf Flickr
Practika Mtl5b, DIY lens, FP4 expired 1994


sem
Registered User
chrism
Well-known
I bought an OM2n a couple of years ago and never got around to playing with it. I was so jealous of my brother's OM1 back in the early seventies, and I'm beginning to remember why. Those microprisms make focusing so easy for old eyes!
50/1.4, XP2, HC-110, X1:

Orchid by chrism229, on Flickr

Dobson's Creek by chrism229, on Flickr

Malagash beach by chrism229, on Flickr
I'm going for my last opera weekend in Toronto next week, and I'm thinking I shall take this little beauty just for fun.
C.
50/1.4, XP2, HC-110, X1:

Orchid by chrism229, on Flickr

Dobson's Creek by chrism229, on Flickr

Malagash beach by chrism229, on Flickr
I'm going for my last opera weekend in Toronto next week, and I'm thinking I shall take this little beauty just for fun.
C.
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