sirius
Well-known
Ha ha, Erik beat me to the post!
ZeissFan said:The Zeiss Ikon uses magnesium, not aluminum for outer coverings. If you go by weight alone, we'd all be using the Argus C-3.
The Zeiss Ikon is structurally very rigid. No flex in the body. And the design is mostly German with some hints of Cosina (door hinge) thrown in. Overall, it's very well made and can stand up to hard use.
A fellow I know bought a Zeiss Ikon that had shutter problems almost immediately. While, he was contacted personally by a Carl Zeiss AG rep, he has opted not to buy into the system at this time and received a refund.
Another person was having the rangefinder adjusted, and the shutter also malfunctioned. It's undergoing repairs at the moment.
My camera had a different rangefinder issue but otherwise has operated flawlessly since its purchase.
If I were to purchase another Zeiss Ikon, I would shoot the hell out of it and try to get as much film as possible through it in the first month. Generally -- speaking of mechanical things -- breakdowns will occur sooner rather than later.
I really would like to see Carl Zeiss develop a camera with a non-electronic shutter. Although battery-dependent cameras have been with us for 30 years, and I always keep spares with me, I'm still not a big fan of them.
The question for any buyer is this: Do you want Leica or Zeiss?
The lenses do impart a different look when shooting wide open. If you shoot mostly at smaller apertures, there isn't going to be a discernable difference in your photos with either camera. Some might not agree, but the truth is that the sharpness from the lenses of either camera will be sufficient for your needs.
Think about ergonomics and how the camera feels in your hands. This is where the opportunity to hold both cameras is a real advantage. Buying a camera on specs or what other people think simply isn't the same.
Although the M6 was an excellent camera, I couldn't warm up to it. I didn't like the film advance and its little hinged flippy tip. And the shutter release didn't work for me either. The release point is far too deep in the travel. I expect it to be at the midway point, but instead it's about 2/3 into the travel. A soft release helped quite a bit, but I didn't think it should be necessary to buy something to compensate for inadequacy. The Summicron was a very fine lens -- no complaints there.
And that's where hands-on comparisons will help any buyer in their decision-making.
Joerg said:Hi,
what puzzles me is that often weight is equaled with quality::bang:
Modern material is designed to do a better job with less weight, i.e look at a formular one car, all plastics....😀
The one sure factor favoring the ZI is weight!!!
I once dropped my ZI onto concrete 😱 :bang: , and oh well the rangefinder was misaligned, but the camera otherwise performed flawless wth scale focussing.
Ciao
Joerg
Olsen said:As pointed out many times over here; nor shutter quality or body quality is arguments for Leica in a Zeiss Ikon/Leica comparison. The electronic shutter of Zeiss Ikon - common in many cameras,is good for 200.000 pluss exposures; the double that can be expected of a mechanical cloth shutter like in a Leica, - if the sun does not burn a whole in the curtain long before that. The Zeiss Ikon body certainly feels a lot more flimsy compared to a Leica, but there is no objective argument for that it will outlast the Zeiss Ikon. All the technical solution of the Zeiss Ikon is tried and tested on a lot of cameras. Like the door hinge you mention.
But, all Leicas have this 'high quality feel' about them that the Zeiss Ikon miss. Further; Leica has been around for a long time and has a world wide service organisation bedond compare.
Olsen said:But, all Leicas have this 'high quality feel' about them that the Zeiss Ikon miss. Further; Leica has been around for a long time and has a world wide service organisation bedond compare.