Benjamin Marks
Veteran
Hello all:
I have been using the RD-1 for about two months now and have tried a large number of 50s on it and a couple of 35s. The 50s include:
Summicron, Summilux, Notilux, Elmar Collaps., Summarit, Summitar, Zeiss-Ikon, Hexanon-M, Nockton, Canon f1.5, Jupiter-8
I have also tried it with the following 35s: Summicron Asph, Nockton (f/1.2), Summiron and an Ultron.
First off, I'd like to echo something that Sean Reid noted in his excellent and informative fast lens test on Luminous Landscape: What I seem to be choosing is the "flavor" of the starting points for the digital process. In the 50's I find that I gravitate towards the Summicron, Zeiss-Ikon and Hexanon-M lenses. I find them uniformly excellent at all apertures and have had no problems focussing them. I've apended a picture below to try to illustrate what I'm talking about with a Summicron. In the converted Raw file on my computer screen, I can count my daughter's individual eye-brow hairs. I have liked the 50 Nockton, but find that I go to the Summicron first.
I have had difficulty focussing the Canon 1.5, the Jupiter-8 and the Summitar. I know that the Canon lenses have their fans, I just have not been able to get this one (a spendy, clean version from Kevin Cameras) to perform. The Summitar is one I bought recently from Sherry Krauter . . . I think it needs to be tested on a film camera first. I know that others have had issues with the thickness of the sm adapters. My adapters come from Cameraquest . . .I have not done any comparison testing. The Noctilux has its own challenges wide open, but this is true even on an M6, partially because of the situations in which I tend to use the lens.
With the 35s, the Summicron-APSH just blows me away. There is a "wow" factor there that I just have not been able to get used to. The Summiron has a very different look (as you might expect of a 50 year old lens) -- I'd characterize this as much more pastel.
Below is a 50 Summicron shot and a 100% crop. I would note that the noise in these pics (shot at ISO 400) is not objectionable at working size.
I have been using the RD-1 for about two months now and have tried a large number of 50s on it and a couple of 35s. The 50s include:
Summicron, Summilux, Notilux, Elmar Collaps., Summarit, Summitar, Zeiss-Ikon, Hexanon-M, Nockton, Canon f1.5, Jupiter-8
I have also tried it with the following 35s: Summicron Asph, Nockton (f/1.2), Summiron and an Ultron.
First off, I'd like to echo something that Sean Reid noted in his excellent and informative fast lens test on Luminous Landscape: What I seem to be choosing is the "flavor" of the starting points for the digital process. In the 50's I find that I gravitate towards the Summicron, Zeiss-Ikon and Hexanon-M lenses. I find them uniformly excellent at all apertures and have had no problems focussing them. I've apended a picture below to try to illustrate what I'm talking about with a Summicron. In the converted Raw file on my computer screen, I can count my daughter's individual eye-brow hairs. I have liked the 50 Nockton, but find that I go to the Summicron first.
I have had difficulty focussing the Canon 1.5, the Jupiter-8 and the Summitar. I know that the Canon lenses have their fans, I just have not been able to get this one (a spendy, clean version from Kevin Cameras) to perform. The Summitar is one I bought recently from Sherry Krauter . . . I think it needs to be tested on a film camera first. I know that others have had issues with the thickness of the sm adapters. My adapters come from Cameraquest . . .I have not done any comparison testing. The Noctilux has its own challenges wide open, but this is true even on an M6, partially because of the situations in which I tend to use the lens.
With the 35s, the Summicron-APSH just blows me away. There is a "wow" factor there that I just have not been able to get used to. The Summiron has a very different look (as you might expect of a 50 year old lens) -- I'd characterize this as much more pastel.
Below is a 50 Summicron shot and a 100% crop. I would note that the noise in these pics (shot at ISO 400) is not objectionable at working size.