pbjbike
Established
He actually did admit that the Konica 35mm f/2 lens in M mount was a better performer than the pre-ASPH Cron. Haven't seen him write that anything is better than the latest generation Leica offerings.
Cheers
Cheers
Mazurka said:Huck, you'd be hard pressed to find any completely symmetrical designs in the last 30 years - despite the present 50 ZM, 45 G and 50 Summicron. The 85 ZM is at least 80% symmetric to me. Like you said, the operative word here is "virtually", not "perfectly."
Look at the 1.4 and 1.2 85 C/Y lenses I posted. They are much more assymmetric than the 85 ZM, still they have the Planar designation. Likewise, most of the G and ZM Biogons are also a lot less symmetric than their 1930s predecessors.
As we all know, Zeiss lens names refer to types (or families) of design , and are not meant to stand for fixed templates.
Huck Finn said:Stephen Gandy's website contains two significant pieces of information.
One of these is that he confirms Zeiss has established a higher standard of quality control fot these lenses than is found on Cosina's Voigtlander line - which should be expected given the price.
The other & even more significant development is Stephen's prices for the lenses. The 35 Biogon is 25% lower than the B&H price and the 50 Planar is an incredible 38% less than B&H!
How does Stephen do it? These must be grey market imports because he is only offering a store warranty, but these are still remarkable discounts even for grey market items. And B&H hasn't even been able to come up with their normal grey market option. If he can come up with a similar discount for the ZI body as well - say about 30% - the selling price would be less than $1150. Such a price would certainly drive up the interest.
Huck
ddimaria said:Popflash seems to be out of stock on the 25/2.8, anyone know who else has it at the grey price level?
Huck Finn said:Mazurka, you're quite right about the variations from completely symmetric lenses. Of course, this is especially true of SLR lenses. Unsymmetric (not meaning asymmetric) variations on the double-Gauss design - of which type the Planar is one - have been around since the 1920s.
You say that the 85/2 is 80% symmetrical. It really isn't because of the differing shapes used in the front vs rear elements, e.g. the second front element is curved while its corresponding element in the rear has one flat surface.
If you look at the 85/2.8 diagram, you can see the comparable front component in the two lenses even though the rear component differs because of the higher spped of the new version.
Rudolph Kingslake's book, "A History of the Photographic Lens" discusses all of this in some detail & is a good reference on the subject.
Huck Finn said:Patience. These lenses are available in limited supply right now. Tony had the 35 & 50 originally & sold out. He has received a new supply. Re-stocking seems to be slow. on all of the lenses.
The other alternative if you're willing to go to an overseas supplier is Dr. Joseph Yao, a very reliable Hong Kong dealer. You can contact him directly at joseph@yao.com.
Huck
dcsang said:I was wondering the exact same thing.
They're a LOT cheaper than B&H; and usually, due to distribution/ordering; B&H will at least have an equal price if not a bit lower.
Weird weird weird.
Dave
Mazurka said:Sorry Huck, but your arguments are unconvincing.
I
As for the present 85 ZM lens - if Zeiss deliberately calls it a Sonnar despite the construction, they could be trying to evoke the legendary 85mm lens for the Contax rangefinder. They have done something like this many times before, e.g. calling Ernostars "Sonnars."
Huck Finn said:<snip>
The Zeiss Ikon is listed on the Cosina website for 153,000 yen, or $1375 USD, based on current exchange rates. If like most of the other items, it sells for less than that, it should be somewhere between $1300 & $1350 - depending of course on what happens with the exchange rate over the next month.</snip>
Huck
Huck Finn said:Way back when we all speculated about what the cost would be of having Hasselblad in this equation. I guess we now know.
Obviously Stephen Gandy & Tony Rose are selling this Zeiss equipment for a profit, so the difference between their prices & B&H would appear to be purely the mark-up from Hasselblad-USA. Here's a brief rundown.
The most expensive Zeiss lenses (21 & 25) coming out of the Cosina factory have a mark-up of about $150, or about 14 %. It gets better . . .
The mark-up on the 28 & 35 is $240, or 30% & on the 50, it's $200, or 33%.The mark-up on the lens shades & viewfinders is a whopping 50%!
I realize that these are niche items & Hasselblad-USA has to pay for their overhead, but now I understand how Cosina has kept their Voigtlander prices so low. Eliminate the distributor. With the exception of the lens shades, the mark-up on every item is between $150 & $240. I'm holding my breath to see what the cost of the ZI will be, but the difference between the price in Japan & the Hasselblad-USA price is already at the high end of that range & most items have come in below the Japanese MSRP. So, it is likely that the mark-up is between $250 & $300.
Imagine if you tagged on $150 - $300 to the price of every CV lens & body you bought. Things would look a lot different.
Well, boys and girls, I just got my reply from Zeiss regarding the naming of the new Sonnar 85mm ZM-mount lens. Very exciting! The text follows below.BJ Bignell said:I sent ZI an email with this question; hopefully they'll reply quickly!
Dr Nasse said:Dear Mr. Bignell,
With lenses it is sometimes as it is with humans: there are certain types or races, which have their characteristic appearance and distinguishing features. But after centuries of mixing, there are as well nearly all shades in between.
The same is nowadays true for lenses. In the early days of photographic optics some types have been created with a specific layout with respect to curvature and thickness of the lenses, position of cemented surfaces, distribution of the refractive powers and of particular glass materials in the system. And these lens types received names, which the maker reserved as a trademark.
Because of these protected trademarks and because of the gained reputation of some of them these names are still used today. Sometimes however there is no technical similarity between the old type and the modern namesake; this is especially true for zoom-lenses. A Vario-Sonnar has not much to do with the original Sonnar type.
In other cases it is like with a child, where you can see the genes of father and mother. There is a similarity to both of them. The Sonnar 2/85 ZM is an example for that case: The basic layout looks very much like the classical double Gauss lens, which is usually called a Planar in our company. But if one has a closer look to the distribution of the refractive powers, one will notice, that the strongly curved front element has much more power than normally in Planar types, with respect to that feature the lens is more nose-headed, as it is typical for a Sonnar type. If you take a Sonnar, e.g. the 2.8/85 for the Contax and split the cemented rear group into two separate lenses, and if you add a floating rear element for the stabilization of image quality at close focus distance - then you arrive quickly at the scheme of the new 2/85.
So it looks like the father, but has the character of the mother. But since double-names are not common in lens naming, we had to decide for one.
With best regards
Dr. Hubert Nasse
Carl Zeiss AG
Camera Lens Division, Laboratory
[personal info removed]
Internet www.zeiss.de/photo