gblader
Member
A buddy of mine said there's no need to buy B&W film - as it is expensive here in Korea, especially if you want one that will do C-41, but what do you guys think? Do you lose a lot of quality?
kossi008
Photon Counter
Haven't done that, but I recently processed a C-41 b/w film (Ilford XP2) in Xtol and got some nice results. So I'm guessing it can be done with color negative film as well...
paradoxbox
Well-known
There's a thread in the M/F or TLR forum about this if I remember right.
Some films handle it VERY well.
It might make sense depending on where you live - in my case rolls of iso400 color film are a shade over half the price of a roll of tri-x and around 1/3rd the price of ilford or foma b/w films.
but traditional black and white films have the edge in dynamic range
Some films handle it VERY well.
It might make sense depending on where you live - in my case rolls of iso400 color film are a shade over half the price of a roll of tri-x and around 1/3rd the price of ilford or foma b/w films.
but traditional black and white films have the edge in dynamic range
Peter_wrote:
Well-known
there is a dedicated flickr group too http://www.flickr.com/groups/c41inbw/
there u will see a lot of examples.
of course your c41 film will have the orange mask then. so only useable for a hybrid workflow.
there u will see a lot of examples.
of course your c41 film will have the orange mask then. so only useable for a hybrid workflow.
gblader
Member
Looked at them and looks like there is definite loss in Dynamic Range - kind of defeats one of the main purposes of shooting film! also the skies look really grey, dark, and grainy... But I guess no one else practices this?
sukumizu
Member
Have you looked into buying film in bulk from overseas? If you can manage to get discounts for ordering in large amounts along with processing in-house I'm sure you'll be able to save a bit of money.
Lawrence Sheperd
Well-known
I think this is a good example of the results careful development and scanning can produce from C-41 film (in this case expired Fuji Superia X-tra 400
http://www.flickr.com/photos/eych/8508383829/in/pool-439229@N22/ . Especially nice since I have a freezer full of the stuff.
gblader
Member
Thanks for the suggestions guys and those pics are def what I'm looking for. Unfortunately being inexperienced I bought 8 yr old Ilford film! Should I push it in development as I am going to do it myself? This film thig is pretty interesting stuff
DNG
Film Friendly
If it was not stored frozen or refrigerated.... that may be a good Idea...
I think, from what I read in other topic on this... that a one stop PULL not push may help... IE: 400 > 200, 100 > 50, as film gets older w/o proper storage.... it losses film speed. So you may to need overexpose to get good results..
If you have a few rolls, why not make one a test roll and shoot frames from ISO 25 to ISO 800 with a few blanks in between to help keep them straight.
And develop as normal. (you don't want 2 things that have changed... (ISO and Development)... then you don't know which change was responsible for the good frame)
Pick the frame/ISO that looks the best.
How it was stored in the 8 years will have a major effect on how much fog and how much change in the ISO is effected.
I think, from what I read in other topic on this... that a one stop PULL not push may help... IE: 400 > 200, 100 > 50, as film gets older w/o proper storage.... it losses film speed. So you may to need overexpose to get good results..
If you have a few rolls, why not make one a test roll and shoot frames from ISO 25 to ISO 800 with a few blanks in between to help keep them straight.
And develop as normal. (you don't want 2 things that have changed... (ISO and Development)... then you don't know which change was responsible for the good frame)
Pick the frame/ISO that looks the best.
How it was stored in the 8 years will have a major effect on how much fog and how much change in the ISO is effected.
gblader
Member
If it was not stored frozen or refrigerated.... that may be a good Idea...
I think, from what I read in other topic on this... that a one stop PULL not push may help... IE: 400 > 200, 100 > 50, as film gets older w/o proper storage.... it losses film speed. So you may to need overexpose to get good results..
If you have a few rolls, why not make one a test roll and shoot frames from ISO 25 to ISO 800 with a few blanks in between to help keep them straight.
And develop as normal. (you don't want 2 things that have changed... (ISO and Development)... then you don't know which change was responsible for the good frame)
Pick the frame/ISO that looks the best.
How it was stored in the 8 years will have a major effect on how much fog and how much change in the ISO is effected.
Genius! I will def do that with my next roll!
sailor
Well-known
Here are a couple of conversions from Provia 100. I think they're pretty good but your standards might be higher than mine.

Duntulm Castle Hotel - Isle of Skye by Elmer Duck, on Flickr

Plockton by Elmer Duck, on Flickr

Duntulm Castle Hotel - Isle of Skye by Elmer Duck, on Flickr

Plockton by Elmer Duck, on Flickr
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