Rob-F
Likes Leicas
Canadian. Have you discovered any differences? I tend to like the idea of it being Canadian, since that's where Walter Mandler was.Congrats!! Canadian or German version?
Canadian. Have you discovered any differences? I tend to like the idea of it being Canadian, since that's where Walter Mandler was.Congrats!! Canadian or German version?
I read somewhere that when production for the 75 was moved back to Deutschland after Leica sold Elcan to Raytheon, they simply transported the pre-assembled lens units, minus the lens barrel/nacelle and inserted them into the updated barrels of the last versions of the Summilux. Seems all that is different is the 'Made in Germany' moniker.Canadian. Have you discovered any differences? I tend to like the idea of it being Canadian, since that's where Walter Mandler was.
Sad update. The lens is terribly unsharp. Very, very OOF at f/1.4, and not much better at 2 or 2.8. At f/5.6, it looks fairly sharp on my iMac. I think I should probably send it back. I could send it to DAG but the worst-case scenario, it might be 6 months later when he tells me he can't fix it. I got the same results on my M9 and M9M monochrom. With the sales tax, I have $3,000 in it. Any thoughts?
You think I should? Coming from you, Raid, I'll take that advice seriously. What I think is going on, is the lens might have been dismantled for . . cleaning? Lubrication? And then re-assembled with the helicoids mis-matched? Just a guess. If I'm going to send it to DAG, I'll need to ask the seller for a partial refund right way, because I only have a few days before I'd have to return it for a full refund--not long enough for DAG to receive & check it out. So what should I ask for? I'd have to guess. 300? 400? 500?Give DAG a chance to inspect the lens.
Why should a lens go out of spec? Unless I missed something, I'm not aware of that happening with any of my lenses. Now I have something new to worry about? This is a good time to mention that the 75mm Lux I'm having a problem with is back-focusing at medium distances. So if I focus on something 12 feet away, something in the background at 24 feet will be in better focus at f/1.4.I have owned two of these (but none now, just the 80/1.4-R). Both were hopelessly out of spec with my cameras when I got them and drifted over time so I needed to get them CLAd and recalibrated every 2-5 years for accurate focus. An angled focus checker is your friend. Do not mistake focus shift for poor calibration. If properly set up, your 75/1.4 should very slightly front focus wide open close up. If you get it adjusted so that it is dead on, focus shift becomes much more challenging stopped down and close up.
I started writing a long technical post about “the real cost of owning a Leica” that looked at this sort of thing, but then live view sort-of saved me. If things are out of spec now, it matters less, for me anyway.
Marty
Sometimes Don wants to get lens and camera to assure perfect synchronization. When/If you call Don, ask him if he needs your M9 or not.You think I should? Coming from you, Raid, I'll take that advice seriously. What I think is going on, is the lens might have been dismantled for . . cleaning? Lubrication? And then re-assembled with the helicoids mis-matched? Just a guess. If I'm going to send it to DAG, I'll need to ask the seller for a partial refund right way, because I only have a few days before I'd have to return it for a full refund--not long enough for DAG to receive & check it out. So what should I ask for? I'd have to guess. 300? 400? 500?
I must have gotten lucky with my 75/1.4 Summilux. I can focus it well wide open at 1.4. I have used this lens on my M8, M9, and then M10.I had a similar problem with my 75 summilux.. At one point it spent more time with Malcolm Taylor than I had actually owned it.. +2yrs.
The focus was way off... Many feet rather than inches.
Eventually it was resolved, still none the wiser how it could have been so far out.
The thought was badly rebuilt previously.
It works well now and it adds something special to the rendering, even stopped down., that I don't think any other lens I have can compare
As I keep reading, I alternate between keeping or sending back. This post is definitely in the sending back category!I had a similar problem with my 75 summilux.. At one point it spent more time with Malcolm Taylor than I had actually owned it.. +2yrs.
The focus was way off... Many feet rather than inches.
Eventually it was resolved, still none the wiser how it could have been so far out.
The thought was badly rebuilt previously.
It works well now and it adds something special to the rendering, even stopped down., that I don't think any other lens I have can compare
This also presses me more toward sending back. For one thing, I have several Leica M bodies I'd want to use it on. And if it's such a quirky lens, it may turn out to be an aggravation I don't need. Hmmm. I'd still have my 75 and 90 Summicrons.Sometimes Don wants to get lens and camera to assure perfect synchronization. When/If you call Don, ask him if he needs your M9 or not.
I still have it... And have no intention to sell it anytime soon..As I keep reading, I alternate between keeping or sending back. This post is definitely in the sending back category!