Deliveries expected today have me excited.
My electric guitars closely resemble acoustic guitars with heavy strings and higher action. Hmmm… The dedication to a wound “G” is a very big deal and is a jump to a more acoustic guitar vibe.
So also big strings promote a more acoustic sound for me, and increased dynamics.
Early today when I woke up I kinda played finger style and pretty much a new door has opened. Kinda crazy. A bit slower than flat picking, less volume, but a very different tone that is fleshy and organic. Something very tactile that offers a different feeling, a bit softer, but the again a different expression.
If I could cover both bases well, pretty much I’d become a monster of a player. Now I kinda have an arsenal of proper guitars and amps to kinda pursue all of this.
Unknowingly I kinda got here. Perhaps I got dragged here, so here I am. Wow, how did this happen? Kinda like living in a dream…
I’m pretty much a flat pick with fingers guy, but now I’m on a threshold of sorts entering possibly another completely different, yet similar universe. Things can get big here, especially if I can learn to tuck a pick and switch seamlessly between the two styles on the fly which is huge dynamic range. Hmmm…
Things can really open up from here… Kinda explosive potential. I love it, What a space to be in. Mucho crazy. Things are accelerating.
So with a baritone neck even thicker strings are used, and getting tuners that can fit these mucho heavy strings is limited. Then Sperzel although dating back to 1978 still is a small shop in Ohio, and their production is limited and kinda comes in spurts, so availability is sporadic.
So last night is a new listing for black Sperzel individual tuners that have 0.78 holes that could accommodate 0.68 and 0.56 on a medium set of baritone strings. I bought the pair I need from a specialty shop in Pennsylvania that I discovered is a major Sperzel dealer.
Know that the 0.52 low “E” string is a tight fit already on my regular strings…
Then by luck I found a used listing for a set of lefty 6-inline black Sperzels in nice condition for about half the price of the going rate even for used sets. I’ll use 4 of these tuners to create a stagger so I won’t require a string tree, and I figure on the two tuners with the bigger bore I can add a post wrap on mucho thick strings to get the downward angle and pressure over the nut needed.
Mucho clever…
The baritone neck getting delivered today has a reverse headstock so the tuners mount as if a lefty guitar, the neck is right handed though, but the headstock is upside down a la Jimi Hendrix. Know that I learned that I can convert these tuners from left to right, so I could use them say for the distressed black hardtail strat.
So lots of problem solving, but lots of timely new listings make it an easy flow.
So the 1/4 inch turquoise dots on the fingerboard kinda might stand out on the black strat body, but I’ll see if the black tuners smooth things out. Who knows? Could be striking, could be garish, might not work… Oh-well…
Don’t forget the baritone neck has this amber coloring because it is roasted maple, and that it is riddled with bird’s eye figure. I guess I’ll see how loud looking this neck is when delivered. Should be visually a bit crazy. “Crazy is good,” I say, as I try to avoid being “extra-medium.”
What is becoming clear to me is a certain personality change that is kinda drastic. I’m a new Calvin of sorts that is perhaps more unstable, a bit more crazy, a bit more adventurous, that is definitely even more impulsive and in the moment. All this practice, which is kinda structured and rigid, has kinda liberated me, and I guess the real me is emerging.
Pure creativity, and following impulse and intuition. Perhaps real living.
The Candy Apple Red Strat has a trem, and the 12-52’s I use require mucho force to balance the string tension of these heavy strings. There is a struggle here that compromises the trem. Very stiff and requires lots of force, I could but a longer trem arm for more leverage, but then more movement is required to sweep the range of the trem. Only $20.00 though…
So the CAR Strat might have to get degraded to a set of 11-48 gauge strings to exploit the trem. Oh-well. I might do that in my guitar shop part of my day. Playing a Strat certainly is mucho different for a Tele player, and having a trem in itself opens up possibilities.
I find the DeMarino with the Bigsby though to be the better vibrato system for me, it handles the mucho heavy strings better than the Strat trem.
BTW Fender calls their vibrato system a Tremolo, but it really is a vibrato.
Cal