pau3
Well-known
I have a rather technical or maybe stupid question about
dichroic filter settings with variable contrast paper.
I have read in several places that dialing the same amount of
yellow and magenta in a color head has the same effect
of a neutral density filter and does change contrast. It only
changes the exposure.
However, the information provided by Ilford for their MGIV paper
says that one should dial 0 to obtain grade 2 with a single
filtration or dial 41Y/32M with a dual filtration, with and
enlarger using the Kodak CC system (like Omega or LPL).
But 41Y/32M is not the same amount of yellow and magenta.
How is it possible that both combinations yield the same
contrast (if they do)?
Note that I am not asking about enlarger differences or calibration.
I am only trying to understand why Ilford suggests using those
figures.
dichroic filter settings with variable contrast paper.
I have read in several places that dialing the same amount of
yellow and magenta in a color head has the same effect
of a neutral density filter and does change contrast. It only
changes the exposure.
However, the information provided by Ilford for their MGIV paper
says that one should dial 0 to obtain grade 2 with a single
filtration or dial 41Y/32M with a dual filtration, with and
enlarger using the Kodak CC system (like Omega or LPL).
But 41Y/32M is not the same amount of yellow and magenta.
How is it possible that both combinations yield the same
contrast (if they do)?
Note that I am not asking about enlarger differences or calibration.
I am only trying to understand why Ilford suggests using those
figures.