Years ago, I had a Summar that had been repolished, adjusted and coated by the now long-defunct Jason Adams Optical firm in London (UK). It was very good - slides projected with a Pradovit/Colorplan combination were critically sharp at f5.6. At f2 it was fine in low light situations - which, after all, is what it was meant for - and it got better when stopped down. It seemed to do better with Agfa CT18 than with Kodachrome II, shots with the latter seemed a little on the cool side. And I'd go so far as to say it was a far more useful lens than the 50mm f3.5 Elmar - especially if you were shooting slow colour reversal film.
I also had a typical Summar, scratches on the front and so on - there was absolutely no comparison ! I don't think photographers in the 1930s were badly off with the Summar, present day opinions are almost inevitably based on examples that have suffered with time.
Rusty.