douwe
Jazz and Silver
Let's get real!
Let's get real!
You have one week in Europe, so you want to be active every day. You'll be on the move all the time, so weight is the most important factor to consider after the ability to get nice shots.
Do not carry a mix of systems. If you carry a leica and an OM you'll have to bring both sets of lenses to stay flexible in your use of film. Let's say you shoot neopan 1600 in one body and neopan 400 in another. If you take both your leica bodies you can take just three lenses and use these on both bodies, and more importantly, with both film speeds.
You should take the leicas and not the OM's. The 50/1.4 is fast, but you immediately lose one stop because of the mirror slap of the slr. Effectively, it's a 50/2.0 if you compare it to a rangefinder lens. The summicron 35/2.0 will therefore be the fastest lens in your kit. Because it's a wideangle you can get away with longer shutter times. I use a Hexar AF in bars to shoot jazz gigs, and I'm very happy with it, I even get away with 400 iso. (no flash of course!)
So, take your MP & M2, take your summicron and tele-elmarit (Shoot portraits! Photos of people have so much more emotional content!) and get yourself a 28/2.8! I've been to Paris and Berlin, and I live in Amsterdam. When I go out with my 2 Contax G1 bodies (for 2 different films) I use the biogon 28/2.8 the most. It's really really useful, and after your trip you'll agree that it isn't too wide at all.
As for film development, have it done in the last city you visit. You've enough time to find a place before you leave. Ask around, perhaps a rff-member has some suggestions. You don't want your undeveloped film spoiled by a x-ray machine on the airport, and fast film is really sensitive. You should buy your film when you arrive for the same reason. Having it delivered to your hotel seems a perfect idea.
If you happen to visit Amsterdam I'll give you a tour.
Douwe
Let's get real!
You have one week in Europe, so you want to be active every day. You'll be on the move all the time, so weight is the most important factor to consider after the ability to get nice shots.
Do not carry a mix of systems. If you carry a leica and an OM you'll have to bring both sets of lenses to stay flexible in your use of film. Let's say you shoot neopan 1600 in one body and neopan 400 in another. If you take both your leica bodies you can take just three lenses and use these on both bodies, and more importantly, with both film speeds.
You should take the leicas and not the OM's. The 50/1.4 is fast, but you immediately lose one stop because of the mirror slap of the slr. Effectively, it's a 50/2.0 if you compare it to a rangefinder lens. The summicron 35/2.0 will therefore be the fastest lens in your kit. Because it's a wideangle you can get away with longer shutter times. I use a Hexar AF in bars to shoot jazz gigs, and I'm very happy with it, I even get away with 400 iso. (no flash of course!)
So, take your MP & M2, take your summicron and tele-elmarit (Shoot portraits! Photos of people have so much more emotional content!) and get yourself a 28/2.8! I've been to Paris and Berlin, and I live in Amsterdam. When I go out with my 2 Contax G1 bodies (for 2 different films) I use the biogon 28/2.8 the most. It's really really useful, and after your trip you'll agree that it isn't too wide at all.
As for film development, have it done in the last city you visit. You've enough time to find a place before you leave. Ask around, perhaps a rff-member has some suggestions. You don't want your undeveloped film spoiled by a x-ray machine on the airport, and fast film is really sensitive. You should buy your film when you arrive for the same reason. Having it delivered to your hotel seems a perfect idea.
If you happen to visit Amsterdam I'll give you a tour.
Douwe