About image quality...

About image quality...


  • Total voters
    176
Make a B&W print of 16x20" from the Olympus Stylist and one from a fillm camera (Leica if you wish, printed via a condenser enlarger with cold tones), and view from 20". I'd be very surprised if a seasoned film photographer could not tell the difference. Very surprised!

Uh, the Olympus Stylus *IS* a film camera. :)

It's almost certainly nonsense to say that Leica users are significantly worse than average

True, and a good example of reductio ad absurdum. :)
 
It's almost certainly nonsense to say that Leica users are significantly worse than average

True, and a good example of reductio ad absurdum. :)

Maybe not so reductive.
I'm guessing that more Leicas are bought as 'jewelry/signs of wealth, than other marques.

And for narsuitus, the Holga GN (glass lens) produces surprisingly good results when used with it's 6x4.5 masque, or cropped to 5x5. (The lens was probably designed to cover only the old 4x4 format).
 
Maybe not so reductive.
I'm guessing that more Leicas are bought as 'jewelry/signs of wealth, than other marques.

Why are you guessing that? Who would a wealthy Leica buyer be trying to impress? Other rich people? Poor people who can't afford Leicas? And why?

My own belief (based on knowing a few rich Leica owners, and on reasonably reliable second-hand knowledge of other rich people who use Leicas) is that rich people buy them for the same reason as the rest of us: because they believe them to be good cameras.

Rich Leica buyers may or may not be good photographers, but that's equally true of Holga users or indeed of buyers of any other sort of camera. If 'good' photographers only bought one sort of camera, there'd be unanimity about which is the 'best' camera. That fact that there is no such unanimity is something of a clue.

Cheers,

R.
 
Why are you guessing that? Who would a wealthy Leica buyer be trying to impress? Other rich people? Poor people who can't afford Leicas? And why?

Cheers,

R.

When I said 'guessing' I really mean something like 'supposing' or 'estimating'

Where I live is many monuments and things that bring in many tourists, and this is what I have experienced: It's the husband who parades like a peacock with a Leica and his wife and children sharing a disposable camera for taking the souveneer shots. I see similar things frequently.

Me, I only use wrist loops or nothing on my Leica and other range-finders. When I don't have the camera in the hand I put it in the bag or pocket.
 
When I said 'guessing' I really mean something like 'supposing' or 'estimating'

Where I live is many monuments and things that bring in many tourists, and this is what I have experienced: It's the husband who parades like a peacock with a Leica and his wife and children sharing a disposable camera for taking the souveneer shots. I see similar things frequently.

Me, I only use wrist loops or nothing on my Leica and other range-finders. When I don't have the camera in the hand I put it in the bag or pocket.

Supposing, estimating or guessing, the question still remains: who are they trying to impress? And why? And how?

No-one denies that complete idiots sometimes buy Leicas. Other complete idiots buy Canons with huge zooms. Yet other complete idiots buy Holgas.

The only difference between the different varieties of idiot is how much money they spend. I'd be half inclined to say that camera which sells in the largest numbers to idiots is the Lomo, which is staggeringly high priced for a plastic camera that is little more than a toy, and which is bought by people for whom being a Lomographer is more important than being a photographer. Even so, (1) there are some good Lomographers and (2) how they spend their money is their choice.

As for how you carry your camera, I like to have mine to hand for taking pictures. You can't take pictures with the camera in a bag or a pocket, so with few exceptions (mainly, cameras that are always used on a tripod) my cameras are always on neck-straps. Does that mean I'm 'parading like a peacock'?

Cheers,

R.
 
Why are you guessing that? Who would a wealthy Leica buyer be trying to impress? Other rich people? Poor people who can't afford Leicas? And why?

It's my perception that those who use a camera to impress are more likely to show off the Latest And Greatest<tm> DSLR with that huge flame-thrower lens, rather than a Leica RF.

Of course, LOL, a few years back there was this photo making the rounds of a certain celebutante sporting a Leica and "shooting" with the lens cap on. :)
 
Roger.
I am not a psychologist so I can't answer your questions.
You are troubled by this subject or making an argument, so I will leave the subject.
 
If talking about creative or artistic images, the creative nature of photography can live without much of the technical aspect, but the reverse is not so.

This creative process vs. the technical machinations of art is a funny bit. The 'work' in photography is creating a good image and the easy part is shopping for gear.

Interestingly, nearly everyone polled has chosen QI over IQ, yet 99% of the content of the forum - one of the best photography - is dedicated to the technical aspects. (The poorly "Technique" section only gets a new post every few of days.)


- Charlie
 
Roger.
I am not a psychologist so I can't answer your questions.
You are troubled by this subject or making an argument, so I will leave the subject.

I'm just intrigued by your assumption. You are far from alone in making it, but I have yet to see any basis for it: most people, when you ask them why they are making this assumption, respond much like you. I've long wondered why.

Cheers,

R.
 
My Contax is jewelry to me. I parade it around town on its neck strap for all to see. No one looks, cares, notices or is impressed (ever, apart from the moment I bought it when a bloke from Japan walked in the shop, beamed excitedly, pointed and exclaimed "CONTAX" in a loud voice). In my mind I am a peacock, but to everyone else I am cryptic like a quail.

EDIT: oh yeah, the image quality suits me fine, but I wish it had more inspired composition.
 
Why are you guessing that? Who would a wealthy Leica buyer be trying to impress? Other rich people? Poor people who can't afford Leicas? And why?

My own belief (based on knowing a few rich Leica owners, and on reasonably reliable second-hand knowledge of other rich people who use Leicas) is that rich people buy them for the same reason as the rest of us: because they believe them to be good cameras.

Rich Leica buyers may or may not be good photographers, but that's equally true of Holga users or indeed of buyers of any other sort of camera. If 'good' photographers only bought one sort of camera, there'd be unanimity about which is the 'best' camera. That fact that there is no such unanimity is something of a clue.

Cheers,

R.

Roger;

Years ago I photographed Jimmy Smith (musician). I was using M4s at the time. I was hired by his agent. He looked at the gear and said "I'm a Hasselblad man". I was never paid for the work.
 
If talking about creative or artistic images, the creative nature of photography can live without much of the technical aspect, but the reverse is not so.

This creative process vs. the technical machinations of art is a funny bit. The 'work' in photography is creating a good image and the easy part is shopping for gear.

Interestingly, nearly everyone polled has chosen QI over IQ, yet 99% of the content of the forum - one of the best photography - is dedicated to the technical aspects. (The poorly "Technique" section only gets a new post every few of days.)


- Charlie

Good points, Charlie...

About the last one, I also thought something was wrong with the votation... I thought people preferring option 2 were not voting... But now I think in a different way: now I think the votes are meaning most people on RFF really know that the rest of the things are a lot more decisive to an image than gear or brand... Leica users included of course... The truth is no member has said "you must use Leica exclusively" nor "of course Leica images are in general better photographs than those made with any other brand", so honestly I think our Leica users are real photographers using and enjoying great cameras... Just that... I think no one here uses Leicas to impress, but for the quality of the equipment and the results...

Cheers,

Juan
 
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It's so easy to fall into the GAS trap, we've all been there at one point or another (most of all me). There's a law of diminishing returns when you have to spend an exponentially increasing amount of money to get the next step up in IQ. To me, a camera is a means to an image. I only want it to work, and capture the image when I tell it to. I won't deny that I'd love to have a Leica, but I can't afford one as a student, so for now I can sit here and chuckle at those waxing poetic about "the magic of a Summicron".

On the other hand, some gear is so cheap and poorly suited to the photographer that it begins to hinder the task. Most cheap P&S models these days suffer from fatal shutter lag. They might otherwise be fine for street photography, but the decisive moment isn't going to wait 1-2 seconds for your camera to think about the proper exposure. By then, it'll be gone. That's why I stick with manual focus cameras.

Anecdotally, Hasselblad has probably inspired more snob appeal and douchebaggery than any brand in all of photography. Leica seems genuinely humble by comparison!
 
I'm just intrigued by your assumption. You are far from alone in making it, but I have yet to see any basis for it: most people, when you ask them why they are making this assumption, respond much like you. I've long wondered why.

Cheers,

R.

I will not be forced into the argument by your antagonistic attitude.
Only this: I did not say 'assumption'. I related what I have seen so many times. Real life experiences.
If you never noticed this yourself then perhaps you are in the forrest and cannot see the trees.

Ciao,

BD.
 
Not my words but Spyro's from this thread ( http://www.rangefinderforum.com/forums/showpost.php?p=1319519&postcount=30 ) back in May - all of it relevant (and I agree with it 100%) but specifically the bolded section relates to Juan's poll:
Spyro said:
You gotta love digital cameras...

Because of them, all of a sudden you have all these people who never took an interest in art, who never went to a museum or a gallery or bought an art book, confronted with a whole new world that they dont understand... but they are determined to be a part of it, because now they have a DSLR and that makes them an artist, right? So they go ahead and read on the internet about this new photography thingo (still no intention of going to a museum or a gallery- too hard, internet is easier) and they come across the magic marketing term:

IMAGE QUALITY! Ahhhhh yes! Now it all makes sense! You spend the $$$, you get gooood camera, you get lotsa image quality, and good image quality = good photo! right? And then they discover bokeh, woohoo! Add a healthy dose of bokeh for good measure and you have a winner, right? Gallery stuff!

Nope


Sorry. Its kinda hard to explain that technical issues may or may not matter, depending on the artist's intention. There are however other things that definitely matter, things like (caution: artspeak follows) context, emotion, content, mood, concept, aesthetic, cohesiveness and of course more pedestrian stuff that are particular to photography and painting, things like light, composition, timing, tonality and colour if applicable. When HCB's photos score so high on everything that matters, who cares about sharpness? And, to make things even more complicated for the guy who has now discovered this peculiar new art world, it is a world which is not always logical, or fair, or entirely free of trends and fashions. And if that is not enough, photography is the most complicated of all media to explain why it can be art, because of that misguided notion of "easy to make" that has been haunting from the start.

So when people ask me how come some guy's prints sell for $3,000 at XYZ gallery (no sharpness? no bokeh? WTF ), I just tell them that he probably had a really good lens

Cheers,
Dave
 
I will not be forced into the argument by your antagonistic attitude.
Only this: I did not say 'assumption'. I related what I have seen so many times. Real life experiences.
If you never noticed this yourself then perhaps you are in the forrest and cannot see the trees.

Ciao,

BD.

You've clearly never seen me being antagonistic.

As I say, I'm interested, and I get very few answers.

Everyone I've ever met who bought a Leica (or Leicas, plural) bought it/them for one of two reasons: to take pictures, or as a collector. This is born out by the Leica dealers I know. Many will cheerfully admit that they have on occasion sold cameras to truly rotten photographers, but have been understandably disinclined to discourage them from spending large sums of money. They have, however, sometimes discouraged them from buying cameras they can't use, and have steered them towards autofocus and auto-exposure (the M7 helped with the latter).

I don't think this puts me in any forest. You are making assumptions (your original word was 'guess' -- unwarranted, I believe, no matter what your terminology) on the basis of casual observation. I've gone a little deeper in to it, and on the basis of what I've learnt, I believe you're wrong. I've had plenty of time to look at the sort of prejudice you express: I've been using Leicas since 1969; M-series since 1973; and I bought my first new M lens in the late 1970s. My Leicas have been a part of my earning a living for 30+ years. Of course I could be wrong too. I just wanted to find out the basis of your views.

Similar prejudices used to apply to Linhofs. I once talked to Linhof UK about this, maybe 25 years ago, and in those days they reckoned that their cameras sold about 50/50 to professionals and amateurs. Needless to say, some of those amateurs were very good. And some were rubbish (at least as photographers).

Cheers,

R.
 
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the term 'idiot' gets tossed around here a little too frequently.

how exactly does one determine that the fella in his tilly hat is an 'idiot' or only interested in 'strutting'? are there body movements, ticks and that sort of thing that gives it away? how is one to know said 'peacock' isn't actually a very rabid photographer with boatloads of talent? is there a uniform one needs to wear to separate oneself?

perhaps one day you see me walking down the promenade at Niagra falls. around my neck is a leica and on my feet are sandals. some flower shorts and a bit of a strut as i am with my wife who i happen to think is the cats meow (thus the strut). do i fall into the 'idiot' category?

people make decisions based on infinite amounts of input and circumstance that quite frankly most of us are not privy to. the jump to 'idiot' or 'fool' is, well, idiotic.
 
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