traveler_101
American abroad
I am contemplating buying a Christmas present for myself, though I have no good reason for buying a Leica. i shoot with a Bessa-T now with Voigtlander lenses and love it; it a much better-equipped modern camera than a LSM: easy to load, TTL metering, easy rewind.
Still there is the attraction of a well-made Leica that keeps drawing me back. I will buy one sooner or later. I have thought about a M mount, but the cost of the camera and the lenses puts me off--at least for now. Pay a 1000 bucks for a M2 without metering--and with no idea how I will do shooting without a meter? Pay $1500 for a M6 and be left wondering how much of the frame I will be able to see with my glasses on? Besides, I like the portability of a screw mount equipped with period-compatible collapsible 50mm lens.
My question is which model, as I would like to avoid as many problems as possible. I am looking for a camera I can use, but also keep as a family heirloom. I welcome any and all comments. Here is what I have found
1. Sprocket marks showing on your prints as a result of film moving vertically when loaded. Affects especially the IIIc and earlier models. Solution:
"You can put a small spacer between the film magazine and the bottom cover. Just so long as it doesn't have too much friction.
Or you can use the Leica bulk-load magazines, which are longer than a standard 135 magazine."
I don't want bulk magazines and don't like the other solution either. So i read this:
"Keep in mind that both versions of the IIIf will accept modern preloaded film cassettes without any of the off center framing issues that results in sprocket holes appearing in the image."
2. Overlapping frames
Then I read this:
"For some reason, the later ones (LSMs) seem to have frame spacement problems. sometimes frames are stuck or overlapping. Also, the frame window is larger than what you are used to. that means more frame-position related issues. Next framing issue: with wides, the frame gets even bigger, so even more spacing issues, more difficulties to cut your film etc.
For some reason my 1933 III don't have frame spacing problems (the winding mechanism is different and has no slack - rougher to advance but apparently more precise). . . .
Also, the frames in the III are better spaced, and less difficult to cut."
I have noticed a huge escalation of prices on the IIIc when I had read that it was the cheaper option. Actually it seems like IIIFs are cheaper now. I like the looks of the IIIa but have been warned off because it lacks unibody construction. I have been thinking a IIIf RD, but am no longer so sure. Any thoughts?
Still there is the attraction of a well-made Leica that keeps drawing me back. I will buy one sooner or later. I have thought about a M mount, but the cost of the camera and the lenses puts me off--at least for now. Pay a 1000 bucks for a M2 without metering--and with no idea how I will do shooting without a meter? Pay $1500 for a M6 and be left wondering how much of the frame I will be able to see with my glasses on? Besides, I like the portability of a screw mount equipped with period-compatible collapsible 50mm lens.
My question is which model, as I would like to avoid as many problems as possible. I am looking for a camera I can use, but also keep as a family heirloom. I welcome any and all comments. Here is what I have found
1. Sprocket marks showing on your prints as a result of film moving vertically when loaded. Affects especially the IIIc and earlier models. Solution:
"You can put a small spacer between the film magazine and the bottom cover. Just so long as it doesn't have too much friction.
Or you can use the Leica bulk-load magazines, which are longer than a standard 135 magazine."
I don't want bulk magazines and don't like the other solution either. So i read this:
"Keep in mind that both versions of the IIIf will accept modern preloaded film cassettes without any of the off center framing issues that results in sprocket holes appearing in the image."
2. Overlapping frames
Then I read this:
"For some reason, the later ones (LSMs) seem to have frame spacement problems. sometimes frames are stuck or overlapping. Also, the frame window is larger than what you are used to. that means more frame-position related issues. Next framing issue: with wides, the frame gets even bigger, so even more spacing issues, more difficulties to cut your film etc.
For some reason my 1933 III don't have frame spacing problems (the winding mechanism is different and has no slack - rougher to advance but apparently more precise). . . .
Also, the frames in the III are better spaced, and less difficult to cut."
I have noticed a huge escalation of prices on the IIIc when I had read that it was the cheaper option. Actually it seems like IIIFs are cheaper now. I like the looks of the IIIa but have been warned off because it lacks unibody construction. I have been thinking a IIIf RD, but am no longer so sure. Any thoughts?