sanmich
Veteran
I sometimes wonder:
All lens designs are trade offs between sharpness, contrast, maximum aperture, close up capability, price, etc.
The noctilux seems to have all parameters subjected to maximum aperture. The standard f/2 lenses are positioned at a more in-between point on the trade-off curves.
The sale of the heliar 50mm f/3.5 here on the classified has made me wonder why companies do not offer any very small, slow, but with superlative optical and build quality, ltm 50mm lens.
Such a lens, combined with a barnack and high res film could be the ultimate tool for landscapes for people that don't want to go MF.
70 years after the mountain elmar, please Mr K...make it happen....
All lens designs are trade offs between sharpness, contrast, maximum aperture, close up capability, price, etc.
The noctilux seems to have all parameters subjected to maximum aperture. The standard f/2 lenses are positioned at a more in-between point on the trade-off curves.
The sale of the heliar 50mm f/3.5 here on the classified has made me wonder why companies do not offer any very small, slow, but with superlative optical and build quality, ltm 50mm lens.
Such a lens, combined with a barnack and high res film could be the ultimate tool for landscapes for people that don't want to go MF.
70 years after the mountain elmar, please Mr K...make it happen....