R
ruben
Guest
Now that I am reassembling my shooter Kiev, something of interest perhaps has happened, concerning camera painting.
My shooter has a front black plate purchased from Alex, while the top and bottom plates I painted myself. The winding knob was replaced at the time by one belonging to an Olympus RC.
To shorten the story I will just say that I want to paint again the top plate and the RC rewinding knob. And I mean taking out the previous black painting and premier layer (*).
The top plate was originally painted and backed at my kitchen oven at a temperature of approx 40 centigrades for some six or eight hours. But the rewinding knob, due to a mistake of attention, after getting the premier, was put in the oven for one hour before the black paint, but at 250 centigrades.
So when I took it out at the time, the premier looked as an overcooked cake, with some small stiff bubbles and an overall heavy creamy colour. In spite of it I preceeded to black paint it as I was short of time.
Now that I immersed both the top plate and the RC knob into thinner, both the premier and the black of the top plate went out easily. But the premier of the RC knob remains as stiff as rock.
This leads me to the speculation that if instead of overnight backing at low oven temperature, I leave the parts for 24 or 48 hours, this may strengthen both layers of paint.
Or in other words, that the "secret" of permanent painting is very much in the way of the drying. Time and temperature.
Cheers,
Ruben
(*) The "premier", is a type of paint sold everywhere paint is sold, that interfaces between the outer paint (black for example) and the sleek chromium of the camera.
When you go to purchase a paint for your camera you will look obviously for paint designed for metals. But all paints designed for metals don't really get fixed to the sleek chromium of a camera, and hence the need for the premier to interface
My shooter has a front black plate purchased from Alex, while the top and bottom plates I painted myself. The winding knob was replaced at the time by one belonging to an Olympus RC.
To shorten the story I will just say that I want to paint again the top plate and the RC rewinding knob. And I mean taking out the previous black painting and premier layer (*).
The top plate was originally painted and backed at my kitchen oven at a temperature of approx 40 centigrades for some six or eight hours. But the rewinding knob, due to a mistake of attention, after getting the premier, was put in the oven for one hour before the black paint, but at 250 centigrades.
So when I took it out at the time, the premier looked as an overcooked cake, with some small stiff bubbles and an overall heavy creamy colour. In spite of it I preceeded to black paint it as I was short of time.
Now that I immersed both the top plate and the RC knob into thinner, both the premier and the black of the top plate went out easily. But the premier of the RC knob remains as stiff as rock.
This leads me to the speculation that if instead of overnight backing at low oven temperature, I leave the parts for 24 or 48 hours, this may strengthen both layers of paint.
Or in other words, that the "secret" of permanent painting is very much in the way of the drying. Time and temperature.
Cheers,
Ruben
(*) The "premier", is a type of paint sold everywhere paint is sold, that interfaces between the outer paint (black for example) and the sleek chromium of the camera.
When you go to purchase a paint for your camera you will look obviously for paint designed for metals. But all paints designed for metals don't really get fixed to the sleek chromium of a camera, and hence the need for the premier to interface
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