How sure are you about this 1-3-3 design? I only have seen x-ray images of the 5,8cm f/1,5 Sonnar. You can see the groups but you can not count the lenses in those groups. A mixup of Biotar and Sonnar would have 6 elements in 3 group 1-2-3 design. Difficult to tell this apart from a 7 element design.
Grinding and assembling those triplet groups is a very difficult (and therefore expensive) task. Creating Sonnar 5cm f/1,5 lenses was considered as expensive and time consuming by Zeiss too. Even if they wanted they could not create more Sonnar lenses because of the difficulty in production. Compare this to the high number of Tessar lenses (very simple design) Zeiss was creating. If I would try to make a living in post-war Germany as an ex-Zeiss employee I would build a simple lens. I would even sell a Tessar as a Sonnar 5,8cm f/1,5. If I even have access to parts and lenses from the Zeiss factory and I have the chance to get my hand on all 3 Sonnar 5cm f/1,5 lens groups then I would build a Sonnar 5cm and not a 5,8cm. The 5cm lens groups are not designed for the 5,8cm focal length.
There is a reason why all Sonnar lenses were calculated by Ludwig Bertele. Even after WWII the Zeiss-Opton Sonnars were all calculated by Bertele again. There were other optical experts that recalculated the Sonnar formula because they needed to use different glass. Nikon, Canon and even KMZ needed to do a recalculation of the design. And sure maybe there were optical experts that worked on a Sonnar clone to make a living but then you need a bunch of skilled craftsman to break glass, to grind glass, to manufacture all parts of the lens barrel and assemble it.
I find this idea
made from aircraft gun visions? interesting from another point of view. Maybe it was a small established lens manufacturer that was not bombed during and disassembled after the war. But then all lenses would look the same. There are groups of 5,8cm f/1.5 Sonnars that look like from the same factory. But then there are a lot of different looking ones too.
And then there is the fact that a lot of those lenses are gobbled together. Unfinished lenses and stuff. This all strengthens the explanation of stolen or salvaged parts from the trash bin gobbled together by skilled craftsman that worked or still worked in the Jena factory. But then how did they know how to build a 5,8cm f/1,5 lens? A lens where no design exists?
You see no explanation makes complete sense. At least for me.