I was given an X300 with a 50/2 lens years ago. A bit later I inherited an XG-M, the famous 50/1.7 rokkor, a 28/2.8 Sigma and a tiny 75-150/4 zoom. Both had reliability troubles, so I bought an X700 along with a P flashlight and the wonderfoul 35-70/3.5 that Leica aledgedly sold as a "35-70 vario Elmarit", to which was added the beast like 70-210/4...
The X700 failed (i recently found that I only needed to retension the springs), so I got an XD5, later a Hi-Matic 9, was given a Hi-Matic F... The most recent buy is a wonderful SRT-101 with which I have a really good feeling.
Well, the advantage with Minolta is that, save some very particular lenses, you can get very high quality glasses for a very low price. And the build quality is often very high, except for the electronic, but it apparently needs the simple change of a capacitor, so should try sometimes. Post us some photographs!
Berlin, 50/2
Paris, Hi-Matic 9
I
In a coach, in the Champagne region (not only a wine!)
35-70/3.5, Minolta XD5