Booooo! 😉
I'm a little jealous... but I can't buy one yet. Too into 50mm right now and the TL 35mm 1.4 is too huge. If they make a smaller summicron version, I'll want to have this camera. I guess similar to my dream of a 50mm Q.
Perfect travel camera for you!
John,
Last night we spent lot's of time setting up her V-Lux. "Maggie" although 64 is taking baby steps. Sadly over the decades she has no concept of DOF or exposure, but it breaks my heart on how eager she now is ready.
I feel reassured that this V-Lux will not be like the other gear and will get used. When we got to the point where I was trying to explain the differences between Program, Aperture, Shutter, and Manual modes her response was, "I thought this was a point and shoot." LOL.
How tender and helpless is that? This is a woman who does poorly in math, but she does have a good eye.
For a 50 FOV I think I will resort to MF and use my 35/1.8 Nikkor in LTM. I love the rendering of this lens and although retro it does really surprisingly well on digital. Nothing wrong with a bit of retro funk.
I agree the 35 Lux TL is mucho big. I already have a huge 50 Lux-SL for AF.
The 50 Lux-SL is a great lens. I find it really funny how the remarkable sharpness and smooth rendering never gets mentioned. Despite the shortcomings I agree with about size, bulk and weight that I all agree with, I still think it is likely one of the finest 50's ever made as far as rendering.
Know that I owned a 50 Lux-M ASPH, I still own a Noct-Nikkor (which got cleaned and serviced recently), and I have a 50 Lux "E60" (which was serviced by Leica New Jersey right before I bought it) which I say deserves its legendary reputation for color, rendering, and perfect blend of sharpness and OOF wide open that strongly resembles a Noctilux, except without the light falloff in the corners.
The CL I really bought to be used as a "Digital Barnack" as a compact stripped down camera that I can wear like a watch every day. I will even utilize LTM glass. If I need modern then I'll use my 28 Cron.
There is a fresh spin on exploiting the crop factor of 1.5X on the 50 Lux "E60," the 50 Lux-SL, and the 58/1.2 Noct-Nikkor. I know the CL will be a distasteful "Monster" but the rendering will be crazy good. Hyper fast telephoto's are mucho expensive, and with riding the sweet spots and cropping out the corners and edges the performance should be rather exceptional.
As far as travel goes, I might be compelled to now carry two cameras.
Cal