jwc57
Well-known
I came across a can of bulk film, Arista 400 Professional film, marked "Made in England", with an expiration date of March 2000. I loaded it in the bulk loader and I was going to run a couple of rolls to see if it was anywhere near being Okay. (It is a can of film someone gave me and I forgot about it. It was in the back of the camera cabinet instead of the freezer where I thought it was, so it was stored at a constant temperature in the house, but wasn't "preserved".)
After reading some threads and posts on here, I thought I would ask a couple of questions....
What, if any, allowances should I make during exposure? For example, should I dial it in at ISO 800 instead of 400 to accommodate any loss of sensitivity?
How should I process it and what chemicals would you recommend? (The only fresh developer I have right now is Ilfosol 3 and D76---but, I'm wondering if something like Diafine would be better? I also have two packages of Dektol).
My thinking behind this is that if the a roll doesn't turn out, I should eliminate my errors instead of just writing off the film as "gone".
After reading some threads and posts on here, I thought I would ask a couple of questions....
What, if any, allowances should I make during exposure? For example, should I dial it in at ISO 800 instead of 400 to accommodate any loss of sensitivity?
How should I process it and what chemicals would you recommend? (The only fresh developer I have right now is Ilfosol 3 and D76---but, I'm wondering if something like Diafine would be better? I also have two packages of Dektol).
My thinking behind this is that if the a roll doesn't turn out, I should eliminate my errors instead of just writing off the film as "gone".
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