Timmyjoe
Veteran
Found this interesting, thought I'd share:
https://www.nytimes.com/2020/05/27/world/europe/paris-atget-coronavirus.html
This work by Atget makes me think of some of Helen's work in New York. (Although much of Helen's work is wonderfully populated with New Yorkers.)
Best,
-Tim
https://www.nytimes.com/2020/05/27/world/europe/paris-atget-coronavirus.html
This work by Atget makes me think of some of Helen's work in New York. (Although much of Helen's work is wonderfully populated with New Yorkers.)
Best,
-Tim
lynnb
Veteran
Thanks for this. It's good to be reminded of Atget's work. I much prefer Atget's 10x8 film images to the modern digital rendering captured by the photographer. Years ago I viewed an exhibition of Atget's contact prints and was immensely impressed.
Dan Daniel
Well-known
.... Atget's contact prints.....
[that's all he did, contact prints...]
charjohncarter
Veteran
I, somewhere in my failing brain, remember that even when he was doing this work that he was using very outdated equipment and glass negatives which were also outdated.
https://www.clarkart.edu/Mini-Sites/A-City-Transformed/Eugene-Atget
https://www.clarkart.edu/Mini-Sites/A-City-Transformed/Eugene-Atget
LCSmith
Well-known
Thank you for sharing this. The importance of Atget on 20th century photography and art in general is impossible to overstate. These side by side comparisons only prove Atget's astute compositional vision.
traveler_101
American abroad
Thank you for sharing this. The importance of Atget on 20th century photography and art in general is impossible to overstate. These side by side comparisons only prove Atget's astute compositional vision.
Could you articulate what the vision is ? . . . if you have time. Thanks
Huss
Veteran
Thanks for posting Tim, loved looking at the pics.
LCSmith
Well-known
Could you articulate what the vision is ? . . . if you have time. Thanks
I always have time for Atget!
I think Walker Evans said it well:
"His general note is lyrical understanding of the street, trained observation of it, special feeling for patina, eye for revealing detail, over all of which is thrown a poetry which is not 'the poetry of the street' or 'the poetry of Paris' but the projection of Atget's person."
"The Reappearance of Photography," (1931).
MCTuomey
Veteran
I think he’s one of a handful of photographers who can swing ... as in jazz.
traveler_101
American abroad
I always have time for Atget!
I think Walker Evans said it well:
"His general note is lyrical understanding of the street, trained observation of it, special feeling for patina, eye for revealing detail, over all of which is thrown a poetry which is not 'the poetry of the street' or 'the poetry of Paris' but the projection of Atget's person."
"The Reappearance of Photography," (1931).
Thank you. Here are my untrained observations form this collection of his work https://allthatsinteresting.com/eugene-atget-photos#1
Uses sepia toning to reduce the starkness of black and white, makes effective use of weather, much is about edifice, people are there or are not there, it is much about silence and space. Collectively displaces the momentary quality of photography for a deeper dimension of time.
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