But, did you buy an 8x10" Deerdorff yet?
But, did you buy an 8x10" Deerdorff yet?
...and what grip are you going to put on it?
Phil Forrest
Guys,
I have an Ebony fetish if I go 8x10.
Ok, perfect...go for it! I just bought my "large format" camera... the Fujifilm GFX-50R. haha.
John,
That is a great camera for you. Also mucho crazy. I love it.
What are you going to do with all that resolution and huge files?
"Brutal," I say.
Well, 50mp isn't that much really in terms of printing for galleries. It's about 20x30" print in 2:3 at 300dpi. You have that old 20x30" print I made from a 12mp camera and it doesn't stack up in modern terms. I mean...I had a show in Italy recently in which some old 12mp files were deemed not good enough for the size prints they wanted (i.e. big). The 24mp files made the cut. People these days expect to be able to see digital prints up close and see all detail. Film was different and of course there are exceptions in digital. I figure it's always good to have more than less. However, the real reason for this camera is I want to slow down, do some tripod work and use a different aspect ratio 3:4. I will still use my "small format" Fujis as well. I needed a crazy camera too... 😉 Personally, I prefer making books to making prints but it's good to be prepared for any situation that might come your way if feel like what you do is art. I know you know this...
I haven't been shooting much lately, other than some casual 35mm, but when larger formats are there gotta love it. Just for the brute force. Call it future proofing as well."Brutal," I say.
I am finding that my SL2 is brutal overkill. It is like killing someone twice, especially with the Leica "L" glass. LOL.
Cal
Fun to read the happenings in Peekskill, and all the overhauling for sure is entertaining.
I haven't been shooting much lately, other than some casual 35mm, but when larger formats are there gotta love it. Just for the brute force. Call it future proofing as well.
The avantage of being entertained with work day to day is that I haven't had any thought towards GAS. Some distant day I should pick up a FF+ rig, and maybe when these begin to pop used and still nice condition. Digital ain't running the obsolescence cycles that used to be. I'd love to shoot 8x10" but I wouldn't do too much due its logistics.
Hey Cal,
Tell Phil I have a copy of " Lost over Laos". I've finished it and if he wants it for his clients, I'll ship it to him.
I see the cyclotron thing playing out this way: After you retire, they finally figure out that they need to train a new guy. Then they have to hire you back as a consultant to train this guy and you make about twice as much $$ as a consultant.
Hey Cal,
Tell Phil I have a copy of " Lost over Laos". I've finished it and if he wants it for his clients, I'll ship it to him.
I see the cyclotron thing playing out this way: After you retire, they finally figure out that they need to train a new guy. Then they have to hire you back as a consultant to train this guy and you make about twice as much $$ as a consultant.
Hey Cal,
I see the cyclotron thing playing out this way: After you retire, they finally figure out that they need to train a new guy. Then they have to hire you back as a consultant to train this guy and you make about twice as much $$ as a consultant.
Gee Cal...it's gonna take at LEAST 250 hours to train the new guy! (Busy laughing my ass off)