Haha, I meant you could always sell that... 🙂 I got your message late last night. Thanks for the heads's up but I'm not ready for that yet. I will though, in the future, take a class like that when I'm serious about making a finished book.
John,
I know you are serious about making books. Just the process of making a book by hand is an art form. Check out the Center For Book Arts when you are ready. They have been around for decades.
Anyways, I don't want to do anything I might regret, but I'm considering a major change that is kinda drastic. Klaus makes a point that shortage of funds is no excuse when you have hard assets like Leica bodies and lenses. Anyways it is kinda like when I day-traded cameras. LOL.
I think for small format film of notching it up, but I will have to exploit SLR's that have 1/8000 shutter speeds like my R8 and the F5 Joe is going to lend me. The reason why I need 1/8000 is to fully exploit Tri-X at 800 ISO where I need the mucho high shutter speeds to kill the light for day shooting.
I hope to take my "Slacker's Brew" (Diafine) to the next level since it offers fine grain like Fuji Acros and that compensating effect that moderates the contrast so I get rich mid-tones of medium format. If I can do this I will likely cull down the Medium format a bit to concentrate more on small format.
Might be that I would get rid of my small format film cameras that offer only 1/1000 and 1/2000 fast shutter speeds, or at least cull down to maybe only two film M-Bodies for portability as a two camera kit.
I currently removed the TA Rapidwinders off my M6 and MP and rigged them out with the black Canon 28/3.5 pancake lens, and the 35/1.8 Nikkor in LTM on the MP. They fit nicely in the brown leather Leitz bag I got at Adorama with the friendly price.
My "Hunchback of Solms (R8) with my 50 Lux "E60" is a killer rig, and my 28/1.4 AF-D on a F5 will be my wide.
If things go well perhaps only keep lenses for my Monochrom and no film M-bodies. I'll recycle the cash into something crazy. The SL is a keen camera. Jeff is correct: the SL focus confirmation is amazing; and the 50 Lux "E60" is wonderful on the SL.
What will happen to my Nikon F3P, F3 HP, Leica SL2-MOT? All on the fence. Maybe go really simple: Monochrom; R8; F5; and SL.
Question is whether I need medium format for higher IQ? I think the IQ of the Monochrom and SL are hard to beat, but for film is two cameras with two lenses enough? Granted one of the best 50's ever made shared on a SL and R8. Also the 28/1.4 AF-D as a fast wide dedicated to film. Under this senario maybe the only camera to keep is the Rollie 3.5F for medium format. Maybe not. Maybe the Rollie and Plaubel: you know how I like to carry two cameras. LOL.
Cal