sazerac
Well-known
I'm sure that this subject has been discussed in other forums, but that shouldn't keep anyone for throwing in their 2 cents.
I am a monogomous 50mm user, but am tempted to dabble in something wider. I have a wonderful Zuiko 28/2 that has served me well, but these days I prefer to shoot with the MP and would like something in M-mount.
I am most intruiged by the CV lenses, but have seen concerning barrel distortion from the 1.4 and the 1.2 is just too big. I have settled on the 2.5, but I wonder if I am missing out on not considering a Biogon? I am also concerned that that lens may be a bit large - I prefer the small and light. Are there some other options I should consider? When I look at Leica, I end up thinking that if I go that route that I should just bite the bullet and get a ASPH 'cron.
Any and all comments philosophical appreciated.
I am a monogomous 50mm user, but am tempted to dabble in something wider. I have a wonderful Zuiko 28/2 that has served me well, but these days I prefer to shoot with the MP and would like something in M-mount.
I am most intruiged by the CV lenses, but have seen concerning barrel distortion from the 1.4 and the 1.2 is just too big. I have settled on the 2.5, but I wonder if I am missing out on not considering a Biogon? I am also concerned that that lens may be a bit large - I prefer the small and light. Are there some other options I should consider? When I look at Leica, I end up thinking that if I go that route that I should just bite the bullet and get a ASPH 'cron.
Any and all comments philosophical appreciated.
sleepyhead
Well-known
For under 500 bucks, the CV 35/2.5 which you already own leaves nothing to be desired in my experience.
shadowfox
Darkroom printing lives
Seriously? Ultron 35/1.7 especially if you like smooth bokeh.
And possibly Nokton 35/1.4 Classic, if you can get one for under $500
And possibly Nokton 35/1.4 Classic, if you can get one for under $500
ferider
Veteran
All three CV lenses 35/2.5, 35/1.7 and 35/1.4 are great. 35/2.5 and 1.7 are sharp and distortion free; the 35/2.5 is very similar to a pre-asph Summicron. The 35/1.4 is small and fast, and has more "character".
I find comments on the 35/1.4 barrel distortion highly overrated. For instance, your Zuiko 28/2 has more distortion (I have that lens, too). The 35/1.2 is too big for my taste (not in size, but it obstructs the viewfinder).
I find comments on the 35/1.4 barrel distortion highly overrated. For instance, your Zuiko 28/2 has more distortion (I have that lens, too). The 35/1.2 is too big for my taste (not in size, but it obstructs the viewfinder).
maggieo
More Deadly
I've seen a few deals on a LTM Summaron 35/3.5. Mine makes gorgeous pix.
FPjohn
Well-known
35mm f2.8 Canon and, as maggieo suggests, the F3.5 Summaron are good choices in your price range. Your CV F2.5 is modern and "better" as to specs. Best, imho, is always a matter of opinion.
yours
FPJ
yours
FPJ
Ronald M
Veteran
3.5 Summaron makes nice pics.
On the Leica forum,, there is a thread of old lenses in the M9. There are many 3.5 Summaron pics. 35 3.5 Elmar is a much different lens.
On the Leica forum,, there is a thread of old lenses in the M9. There are many 3.5 Summaron pics. 35 3.5 Elmar is a much different lens.
sazerac
Well-known
Great suggestions! I will look into the Summaron. Is there much difference between the 3.5 and 2.8 versions?
raid
Dad Photographer
Great suggestions! I will look into the Summaron. Is there much difference between the 3.5 and 2.8 versions?
The original 3.5 Summaron is cheap.
The 2.8 Summaron has recently been "rediscovered" as a lens that some find to be better overall than a 35mm Summicron.
maggieo
More Deadly
The original 3.5 Summaron is cheap.
The 2.8 Summaron has recently been "rediscovered" as a lens that some find to be better overall than a 35mm Summicron.
I've noticed that. Which bums me out, because they've gotten to be almost as expensive as the Summicrons!
robklurfield
eclipse
Canon 35/2. I think I paid $325 for mine from a fellow RFF'r. 35/3.5 Summaron cost me about $200. I love 'em both.
35mmdelux
Veni, vidi, vici
Snag the 35 Summicron ASP. It is possibly the very best modern 35 -- compact and fast. Personally, I prefer the brass models since they are heavier than their alum(?) brethren.
Ive owned several of them as well as the Summilux pre-asph and Lux ASPH. The compactness of the cron wins for me.
Ive owned several of them as well as the Summilux pre-asph and Lux ASPH. The compactness of the cron wins for me.
JMQ
Well-known
Agree with robklurfield on the Canon 35mm f2. Tom Abrahamsson talked me into buying one from a vendor ($275) when we were at the LHSA meeting in St. Louis. Contrasty and center sharp and lens, and very compact.
semilog
curmudgeonly optimist
Snag the 35 Summicron ASP.
So you're going to sell yours to him for under $500, then? What a prince!
maggieo
More Deadly
So you're going to sell yours to him for under $500, then? What a prince!
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I call dibs on that deal!!!
sazerac
Well-known
Let me also throw this into the mix. I shoot a 50 'cron regularly, so which if the above lenses do you think would be a good compliment in terms of bokeh, sharpness, 3-dimensionality, etc?
robklurfield
eclipse
at $500, I think I'll take two, please. you can ship 'em to me at....
anyway, 35mmdelux, we're only giving you a hard time because we're jealous.
anyway, 35mmdelux, we're only giving you a hard time because we're jealous.
So you're going to sell yours to him for under $500, then? What a prince!
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robklurfield
eclipse
the size/quality/price combination on this lens can't be beat. sure, there are lenses that do one or two of these things better, but none that fit all three criteria, IMHO. and, besides that, who am I to argue with Tom A???
Agree with robklurfield on the Canon 35mm f2. Tom Abrahamsson talked me into buying one from a vendor ($275) when we were at the LHSA meeting in St. Louis. Contrasty and center sharp and lens, and very compact.
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