Roger Hicks
Veteran
Roger, out of interest now you have had both these lenses for a few years do you still feel this way? Also if you were only to choose one to use with black and white film on say a M3, which would it be and why? I appreciate there is a speed difference and a different look, but as I have not be able to see either lens and will have to order blind, I would value your comments. Thanks for any help you can offer.
Yes, I still feel the same way. And so does my wife. We sometimes use one another's 50s but I still prefer the Sonnar and she still prefers the Summarit.
For B+W on an M3, I'd go for the Sonnar for a more 'classic' look, the small size and the speed, but quite honestly it's all splitting hairs: the Sonnar, the Summarit, the Color Skopar (another 50/2.5) and the Nokton 50/1.5 are all good lenses.
Cheers,
R.
frosty
Newbie
Thanks Roger, and good to know both lenses bearing up over time. Now to find one! Is your sonnar still optimized for f1.5? And do you mainly shoot wide open on film? Thanks
Roger Hicks
Veteran
Thanks Roger, and good to know both lenses bearing up over time. Now to find one! Is your sonnar still optimized for f1.5? And do you mainly shoot wide open on film? Thanks
(1) Yes, f/1,5 (2) Mostly at either f/1,5 or f/4 and below (3) mostly digi now but still filmas well, especially in B+W.
Ceers,
R.
frosty
Newbie
Thanks again Roger, appreciate your sharing. They are all optimized for f2.8 out of the factory now, unless you put a special order in, or send it back for recalibtation.
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