squirrel$$$bandit
Veteran
I have been lusting over everyone's Noctilux photos for many months now, and have been stealthily prowling for my own super-duper-fast RF lens. I finally found a near-mint Canon 50/1.2.
I had read Roger's review of this lens and was prepared to find it to be of limited utility. But I have to admit, I am really impressed. I love the dreamy feel of these photos. I don't really give a hoot about sharpness at 1.2; that's not what I was after. But it's more than sharp enough for the effect I am looking for. Furthermore, focus is SPOT ON with the R-D1, a total shock to me. I thought it would be way off.
One more thing--the R-D1 is a particularly good camera to use this lens on, and the same would go for the M8. You can't get very close at all with it (1 meter minimum), but the R-D1's crop sensor makes subjects appear much closer than they would on film.
These are merely test shots around the house, but I am going to try to get out with it over the weekend and put it through its paces. It underexposes on the R-D1 by quite a bit, so EV compensation is useful. These were shot RAW, converted to grayscale in Lightroom, and the exposure and blacks both brought up--that's all.
I had read Roger's review of this lens and was prepared to find it to be of limited utility. But I have to admit, I am really impressed. I love the dreamy feel of these photos. I don't really give a hoot about sharpness at 1.2; that's not what I was after. But it's more than sharp enough for the effect I am looking for. Furthermore, focus is SPOT ON with the R-D1, a total shock to me. I thought it would be way off.
One more thing--the R-D1 is a particularly good camera to use this lens on, and the same would go for the M8. You can't get very close at all with it (1 meter minimum), but the R-D1's crop sensor makes subjects appear much closer than they would on film.
These are merely test shots around the house, but I am going to try to get out with it over the weekend and put it through its paces. It underexposes on the R-D1 by quite a bit, so EV compensation is useful. These were shot RAW, converted to grayscale in Lightroom, and the exposure and blacks both brought up--that's all.


