8bit Barry
Member
Yeah I can see the flan of focus is so narrow, on the second one in particular. But overally a very pleasing result. I like the diffusion and characterful, glow and in the right context it can be really useful.Interesting. I love the background rendering of the 1.2.
If you dislike the backgrounds of the f1.2 you'll probably detest these from its brother, the 0.95. I offer 'em just for comparison purposes to the f1.2. And yep, the images are plenty soft.
All 3 images below taken recently and within minutes of each other with Canon 50mm f0.95, wide open.
Just metering the natural window light for this room but ended up liking her expression and the natural short lighting on her face.
S1010288 by Brusby, on Flickr
Taken in the doorway to the front porch, which was reflecting light up into her face, giving a bit of the old Hollywood monster light.
S1010257. Canon 50mm f0.95 "Dream" lens by Brusby, on Flickr
In the living room with window light. That's an old pump organ in the background -- made almost unrecognizable by this lens.
S1010262 by Brusby, on Flickr
I was watching some Matt Osborne videos on YT last week and he was mentioning 'vintage lenses for digital portraits, modern for sharpness for film portraits' and how he uses lenses to match the camera type. I think that's sound advice.