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All three of my photos above are wide open, and there's no vignetting, even on the film ones.
I coded mine as a Noctilux on the M8, and I'm not seeing any difference.
All three of my photos above are wide open, and there's no vignetting, even on the film ones.
It's... OK.
No, it's better than that, and here's my evidence:
R-D1 shot wide open, 6ft.
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...so the (slower) C-Sonnar wins.
Well I'd be shooting with the Aspherical Summilux 50 over the 50/1.2 in a perfect world. "Perfect" meaning 'not tethered to financial reality,' of course. 😉😀
It's sharp enough wide open, as long as you like the storied "Canon glow."
I once compared the Canon 50mm/0.95, 50mm/1.2, Nikkor 1.4, Nikkor 1.2, Leica Noctilux 1.0. The RFF thread must be still posted somewhere here.
Many thanks to all contributors to this thread.
You have posted some very nice examples using the Canon 50mm F/1.2 .
Another lens that is very rarely mentioned perhaps because of its rarity is the Fujinon 50mm F/1.2 LTM but its rarity puts it beyond my means. Does anybody on the forum use such a lens?
With regard to the Canon 50mm F/1.2 LTM, this is the lens for me and I have decided to purchase a mint example that I have seen in a local dealers shop.
Although I will use it mainly on the M2 , can it also be used with a Leica II with
a SBOOI finder.Will the Leica II be able to give accurate focus at full aperture or is the lens a No-No on a Barnack.Your opinions would be very much appreciated.
wasnt it the nikkor 1.1?
I use it a lot wide open with no vignetting issues - at least that is obvious without careful measurement.