"Chasing the Magic Bullet"

Todd.Hanz said:
Some of you may have already seen this, I got the link from Pnet, while the subject is on large format photography it has application to all.
http://www.largeformatphotography.info/chasing-magic-bullet.html

Todd

Hey, I love this guy ! While reading his essay I could not stop laughing, his style is SO great !!😀
Unfortunately it will not have any impact, improving the tools simply seems so much easier than improving the methods and the process. This misunderstanding fills 80 % of the talk volume in the photo forums.

Thanks for the hint !

Fitzi
 
fitzihardwurshd said:
Hey, I love this guy ! While reading his essay I could not stop laughing, his style is SO great !!😀
Unfortunately it will not have any impact, improving the tools simply seems so much easier than improving the methods and the process. This misunderstanding fills 80 % of the talk volume in the photo forums.

Thanks for the hint !

Fitzi

What I forgot to mention is that one should not blame people for chasing the golden bullet, because it is hammered into their brains daily that this thing really exists. They just blieve what they are told.

BTW I did not expect too much response fort hat article but this poor handful of one-liners is a bit surprising anyway.

One of these "FINALLY !! MY NEW M7 HAS ARRIVED !"- outcrys would attract more attention and response, wouldn't it ? 😛

Fitzi
 
Fitzi

FWIW I think many of us (including me ) recognise ourselves here, constantly changing gear and not really settling. Perhaps some of it is curiosity to try different stuff and some of it is the magic bullet syndrome. I am humbled seeing much of the work in galleries, produced with so-called humble equipment (Canonets, Yashica Electro) etc. The best lens I have is on a Vivitar 35ES FLRF yet I gravitate to the Bessa R!

It is always time to shoot more and talk/buy/sell less 🙂
 
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It comes down to the fact that in many cases chasing the magic bullet is more fun than working on other aspects. But I think he is right about finding good teachers. Obviously, one has to learn things for themself, but teachers make such a huge difference if they are good. I never took a photo class in college or grad school, but when I started to get interested, I went to my local rental darkroom and found out that they offered free workshops every other week with their printer. The guy was extremely nice, and a great teacher. He really taught me a lot about not only how to make a technically sound print, but how to evaluate a good print to decide what to do to make it a great print. Similarly, I took an adult ed class on photoshop offered through the community college, and even though I already knew the basics, I learned a lot from the course. Photoshop, like the darkroom, is so multifaceted that it really pays to see how others do it. The darkroom workshop was free (you bring paper, they supply the enlargers, chemicals, and teaching), and the adult ed class was very cheap...perhaps 20 dollars.
 
Glow in the dark developer! Wow, I just gotta have some of that.... errr... no?
I think I'll keep using el-chepo D-76 until I know enough to appreciate differences between different developers.
 
it's like cooking, everyone thinks "I need a better.. oven, knife, mixer, pan etc" reality is good cooks can cook off a coleman stove. I think it's the same with photography. That said good equipment does help thats why it exists. First walk then run..

cool piece to share Todd. So we don't need no stinkin' HEGR's we just need a LEJR

(High End German Rangefinder ... Low End Japanese Rangefinder)
 
Low end Japanese? I dunno... I do have the Yashica, but I'm mostly using the Zorkis! (Soviet Union has no QC, da?)... One of may favorite pictures came out of my cheapo Tessar clone....

*Obesessed*
 
jan normandale said:
it's like cooking, everyone thinks "I need a better.. oven, knife, mixer, pan etc" reality is good cooks can cook off a coleman stove. )

You are perfectly right ! For me it is an interesting phenomenon that ALL amateurish occupations attract those techie addicts, not matter if we speak about photography, fishing, hunting, biking, cooking ( the war of knifes and pans) or whatever. Always the result slips into the background , and the tool and the process (!) is in the forground. The last thing I heard of here in RFF is how some artisan amateur weavers got into a punch-up about their looms !!??? 🙂))

The best essays referring to this issue I've read in the web until today are those of Ken Rockwell:

http://www.kenrockwell.com/tech/7.htm

http://www.kenrockwell.com/tech/2-kinds-of-photographers.htm

They went down on the forums like H-bombs, braking all taboos, avoiding all sort of obliging euphemism and spot on !😀

Best,
Fitzi
 
I enjoyed the essay, but it seemed that list of things to be done at the end of the essay was essentially a list of magic bullets. They're all techniques that most people are reasonably good at; what good photographers do that bad photographers don't is SEE the image. The techniques to capture and print the image can be learned by a kid in junior high.

JC
 
Thanks for the links Tom and Fitzi. Reality really bites sometimes.

Bob
 
I must confess that I succumb to the disease at times. Luckily, I realize my addiction and stop short of buying equipment after longing for and researching it. One thing that keeps me grounded (besides being cheap) is the reminder of a photo instructor that had some wonderful images made from a pinhole camera.
 
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