matt fury
Well-known
This whole obsolesence arguement is bs IMO. If the camera takes good pictures in 2006, the pictures it takes in 2010 will be just as good.
That's because you define obsolescence as "things becoming worse", when really it is about "things becoming worse in comparison because of other things raising standards and expectations". If you were talking film cameras, would "If the camera takes good pictures in 1925 the pictures it takes in 2005 will be just as good" really be an argument against obsolescence? Looking around I see a lot more EOSes and compacts than Voigtländer Bessa II folders, even though you can take fine pictures with the latter.matt fury said:This whole obsolesence arguement is bs IMO. If the camera takes good pictures in 2006, the pictures it takes in 2010 will be just as good.
AndyPiper said:I happily shot film for 35 years. 10 megapixels plus Leica glass is already better than film
Which is simply saying that film and digital are different and one not worse than the other and Kodachrome is something else again. Which magazine? I would be interested to see it 🙂KM-25 said:As a guy who shoots both for a full time living, I find that to be entirely subjective.
I take off tonight for a magazine assignment that will become part of my long term tribute to Kodachrome. The images I have gotten already from my Leica on it simply breathe a different life than any digital ever will.
Absolutely no contest whatsoever.
Glasgowdave said:Andy, thanks for your gracious comments. I'm presently waiting for my business gateway grant to appear and when it does I am giving serious consideration to an M6TTL or used MP/M7 rather than increasing my D200 lens collection. I enjoy wide angle work more and I think I see more along these lines; I wonder if you might point me toward the best lens as an initial Leica purchase? I'm thinking 35mm or possibly shorter. Also, in terms of the finder variations, I think 0.72 is probably the most versatile...although I've read that 0.58 might in some cases be better for wide angle.
Is anyone defining obsolescence this way?If a camera being "obsolete" is defined as it not being able to produce image quality on the same level as other cameras, then every 35mm camera on earth is and was obsolete in the face of medium format.
I think the new, sharper route is probably best for me - I'm not too fussed about new or used as long as it's from a reputable supplier. Does this help firm up my recommendation base? I'd probably go as far as £550-600.
rxmd said:Is anyone defining obsolescence this way?
Philipp
I thought he was . But now he saysglasgowdave said:If you spend 5 grand on a camera, it either better be right at the top of the heap in every sense of the digital meaning,
so now I'm totally confused. How will the M8 be obsolete if that which purports to obsolete it has significantly lower image quality?glasgowdave said:I meant obsolete in comparison to other digital compacts at a twentieth of the price...albeit with significantly lower image quality even at 10mp.
glasgowdave said:I meant that the M8 is likely to have superior image quality in comparison to other 10mp compacts. I think overall there's something about the matching of TFT monitor and the other requirements of full digital that just clashes with my idea of handbuilt, meticulously skilled optical engineering. Like I said, to me it's a bit like a Rolls Royce with a cheap, tinny tape player in it.
glasgowdave said:Like I said, to me it's a bit like a Rolls Royce with a cheap, tinny tape player in it.
Or it's a Nikon D200 with 20% grams less weight and maybe a third less bulk (depending on metric), with the ability to use an extensive range of lenses that span a roughly comparable number of years, excluding, of course, zoom lenses, specialty lenses such as macro or perspective control lenses and of course everything above 90mm (as Leica sees it), without autofocus, with much less sophisticated metering and flash options, with controls where we don't know yet at all how well they're suited to the different technical requirements of a digital camera (if it indeed looks like Jorge's pictures, there will be a lot of menu fiddling) and at close to three times the price.If one MUST make comparisons outside the rangefinder realm - the M8 is not a Nikon Coolpix with better build quality.
It is a Canon 1D with 1/3rd the weight and bulk, with 'analog' shutter and aperture controls rather than thumb-wheel thingies, and with much more definite, binary "snap the two images together" manual focusing.