Colour film for a long trip.. Velvia 50 (and K64)

Both provia 100f and 400 are outstanding. Beautiful colors, great for skin tone, sharp, very little grain, and excellent tonality. Provia is my favorite color film.

But for landscapes in the right light, Velvia is king.
 
Yes Astia has been discontinued sadly, the various Sensia types, also. There may be a little still to be found if you check around, one of my local stores was still selling out some Sensia 100 stocks just a few months back, which was said to be closer to Astia than Provia. The few portraits I made with Sensia were very satisfactory (which is why I suggested it) but if you can locate a few rolls of Astia in 35mm (discontinued before Astia in larger formats was completely killed off, so harder to find, IIRC?) so much the better for you. I think you will probably have to settle for Provia 100 or 400 (or, maybe, Sensia if you can find a few rolls of that).
Regards,
Brett
 
i´m a portra fan, but i kind of like ektar as well, you should check it out if you haven´t done that already.
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If I were going on holidays and could only choose from the currently produced transparency films, I would take Velvia 50 for landscapes and Provia 400X for everything else. If it had to be one film only it would be 400X. I've finally bought some in 120 after loving it in 135 and can't wait to try it out in the larger format.

For interest, check out these fine photos from forum member tsiklonaut:

http://www.rangefinderforum.com/forums/showpost.php?p=2095727&postcount=802

Edge code RVP50 is Velvia 50 and RXP is Provia 400X. Good idea of what they can do.
 
Most people are raving about neutral films here.

If you want a little unusual color palette, then use velvia 50 there sure is more to this film than pure saturation, it's also how the yellows, blues and reds shift.

Kodak Ektar 100 will also give you a nice palette response.

None of them are really suited for caucatian skin, as they can give a color cast.

For people, as a neutral film, provia 100f is
IMO the best film out there, the resolution beats porta into a pulp. (Porta is IMO the best negative color film for people though).
 
Thank You very much to everybody.

I have a question.. for color film, how expired is expired? I mean.. I have provia 100f , 8 rolls from 2009 which I bought to a guy who has been keeping in the freeze..
 
Provia 100 with a skylight 1B filter because otherwise the color balance is a little cool for me. I deeply mourn the passing of Astia and Sensia. Many people love Velvia for landscapes, but it's too contrasty for photographing people, in my opinion. Whatever slide film you use, be sure to bracket your exposures. You will likely find that you prefer the slide that's technically one-half stop underexposed. Overexposed slides are pretty much throwaways.
 
I have a question.. for color film, how expired is expired? I mean.. I have provia 100f , 8 rolls from 2009 which I bought to a guy who has been keeping in the freeze..

It's probably okay. Shoot one roll and have it processed. If it looks good, the others are pretty sure to be good as well, if they all have the same expiration date and have been stored in the same manner.
 
Provia (100F and 400X) are great films. For more saturation I find the Velvia 50 to be much better than Velvia 100 as it has larger 'dynamic range' and warmer colors. See the film comparison by Tim Parker HERE.

Of course - if the sun is high Ektar 100 or Even Portra films give great results.
 
Thank You very much to everybody.

I have a question.. for color film, how expired is expired? I mean.. I have provia 100f , 8 rolls from 2009 which I bought to a guy who has been keeping in the freeze..

They'll probably be fine. The film I used in the above photos was expired Astia from 2010. I'm using all my expired Astia first before the few packs I have that are still "in date". I've yet to have a problem using expired film. As mentioned, test shooting a roll first is fairly cheap insurance.

I still have bricks of virgin KC64 in the deep freezer. Is there any more possible method to develop them ?

From what I've read, you can still get them developed, but they'll be B&W slides only...
 
They'll probably be fine. The film I used in the above photos was expired Astia from 2010. I'm using all my expired Astia first before the few packs I have that are still "in date". I've yet to have a problem using expired film. As mentioned, test shooting a roll first is fairly cheap insurance.



From what I've read, you can still get them developed, but they'll be B&W slides only...
If you keep your Astia, expired or otherwise, in the freezer (as Fuji themselves recommend), it will last for a very long time beyond its expiration.
Regards,
Brett
 
If you keep your Astia, expired or otherwise, in the freezer (as Fuji themselves recommend), it will last for a very long time beyond its expiration.
Regards,
Brett

Indeed they do, it's all in the freezer. 🙂 Which must be made for film, it's got a great little top rack that seems to fit only small containers or film packs, perfectly. 😀
 
On a long trip especially on a hot climates you must consider "longetivity" of the films, especially after you've shot them.

I've traveled for years on a motorcycle and often 120 roll films with me staying unexposed or exposed for many months at the time, from ferocious heat to freezing cold, wet humid, dusty & sandy.

I wasn't so impressed with C41 films, but Kodak Portra series seem to do fine, Pro 160C also came out very good after many months of abuse.

Kodak E6 films weren't so impressive - I've gotten them back with color casts and shifts after development. I've found Velvia 50 ranks among the most "resistant" color films, almost never had a problem. The new Velvia 100 is acceptible as well. Provia 400X does fairly good while Provia 100F is more prone for "heat-treatment" (maybe because it's an older emulsion?) - loss of contrast and cast.

In any case, other than the mechanical damages, I've found the most critical is the quick temperature changes and condensation that abuses the film. You must really take care not to let them change temperature quickly, i.e. going quickly from desert up to high mountains or vice versa, throwing them into freezer every day in-out in tropical climates etc - don't do it or avoid as much as you can.

When taken care of color film is quite capable doing long journeys on harsh climates.
 
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