Ronald_H
Don't call me Ron
I have been using Tri-X for everything, and just thought it might not be the best film for *everything*![]()
IF you could use only one film for 'everything' many people (myself included) would consider it one of the prime candidates.
I have very limited experience with ultra speed films, but my film of choice when I need speed is Tri-X in Diafine, rated at 1250ISO...
Turtle
Veteran
If you need anything near a real 3200 forgte the 400 speed films pushed. They are miles behind in speed. For the most speed possible, try D3200 stand processed in Xtol 1+something or DDX. Experiment. You will get at least a stop of shadow detail over the TriX/HP5s and more like two stops. I like D3200 in Xtol and DDX. DDX has a bit more sparkle but more grain. Xtol is smoother. In low contrast conditions you can get away with 3200 but I would develop for the time shown by Iford for a stop or two faster depending on desired contrast i.e. shoot at 3200 and dev for 6400 or even more. Using ilford times you will get flat negs in my experience.
filmfan
Well-known
I will be shooting a friend's birthday dinner at a restaurant this week. I will be using my Rolleiflex 3.5F (at her request), which is not exactly the fastest camera I own. So, my question is regarding how to develop Ilford Delta 3200. I will be rating it at 1600 and developing in XTOL 1:1. Should I develop for the 3200 time even though I am rating it at 1600? This is what I was told, but would like a second opinion. I was also thinking about shooting some Provia 400X.
Thanks and I hope this does not constitute a hijack of the OP's thread.
Thanks and I hope this does not constitute a hijack of the OP's thread.
TWoK
Well-known
Provia 400X @ 1600 is pretty darn good depending on the light.
ilia
Established
I do like neopan 1600 exposed at 3200 developed in DDX
http://www.rangefinderforum.com/photopost/data/500/musitian.jpg
http://www.rangefinderforum.com/photopost/data/500/musitian.jpg
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