George S. said:Maybe I should have stated my reasoning better. I don't think the sax player being OOF conveys anything to me other than it being OOF. If it was a racecar, perhaps I'd feel differently since they "are supposed to" convey motion. I also agree that the other two could use less exposure to show a dimly-lit concert venue. This well lit stage may be correct for the particular concert, but it looks more to me like a rehearsal. I knew it before but couldn't put my finger on it that is, until Trius pointed it out...
Yes I'm a fan of this genius since I saw him back in '91 as final act of the Jazz Festival Leipzig (Germany). I'll check to find out his buddies on this particular set.wsriii said:Charles Lloyd! You definitely captured him. Love it. Who was on drums? 🙂
Bill
amoz said:You sure did catch an energetic sax player! Maybe you should have moved in closer, to get a tighter (and less cluttered) framing? I don't think any of them are "very good". I also see ugly coloured grains especially in the background / darker parts, probably a scanning artefact.
Since you asked for comments, I hope you can handle a bit of criticism ;-)
Keep it up!
shutterflower said:I would agree with Trius and George S. initial comments. The second two are the best, but taking the exposure down a bit (pull the blacks down to black and boost the color), would do wonders for the punch.
Hi Bill,wsriii said:Charles Lloyd! You definitely captured him. Love it. Who was on drums? 🙂
Bill
wsriii said:Charles Lloyd! You definitely captured him. Love it. Who was on drums? 🙂
Bill
jfserejo said:I saw his concert in April and Eric Harland gave a massive show on the drums... I'd never had seen the drums played like that.
Dektol Dan said:Very odd. I've tried Fuji 400, 800. and 1600. From your shots 400 generates more noise when scanning than 800, and 1600 has less noise and better grain pattern than all of them. This is shot with a Dual 50 Summicron at f2, 1/60th and Fuji 1600. It was scanned with a Minolta Dual Multi at 2800 DPI.