noimmunity
scratch my niche
I finally got a roll of photos scanned taken on the same day with the Carl Zeiss Jena 50/2.8 Tessar modified to LTM mount by Brian Sweeney and, for comparison, the ZM C Sonnar 50/1.5 and ZM Planar 50/2. I should have included Cindy's Canon 50/1.4, but forgot. These were shot at 5.6 on neopan, developed and scanned professionally. Not the most visually exciting photographs, they still show some of the characteristics of the lenses.
Tessar
a friend lent us a Hasselblad and some CZ lenses to play around with. T-shirts by Threadless http://www.threadless.com/
Now here is an example from the C-Sonnar
and one from the ZM Planar 50/2
The Tessar obviously has much less contrast and is not as sharp as the modern lenses. It does have a pleasing OOF rendition, but not exactly the kind of geometrical reduction that attracted me in the Tessar lens on the Yashica T5D. More experiments necessary.
Showing it next to the C-Sonnar in particular is really unfair😀. Hopefully it won't be long before Zeiss and Cosina team up to put out a modern M mount version...
So far I think it works best for me on the RD-1, where the low contrast works well. I would also like to try it in low light with TMax 3200, where the inherent high contrast of the film might work with the lens.
Tessar
a friend lent us a Hasselblad and some CZ lenses to play around with. T-shirts by Threadless http://www.threadless.com/
Now here is an example from the C-Sonnar
and one from the ZM Planar 50/2
The Tessar obviously has much less contrast and is not as sharp as the modern lenses. It does have a pleasing OOF rendition, but not exactly the kind of geometrical reduction that attracted me in the Tessar lens on the Yashica T5D. More experiments necessary.
Showing it next to the C-Sonnar in particular is really unfair😀. Hopefully it won't be long before Zeiss and Cosina team up to put out a modern M mount version...
So far I think it works best for me on the RD-1, where the low contrast works well. I would also like to try it in low light with TMax 3200, where the inherent high contrast of the film might work with the lens.