Godfrey
somewhat colored
When I was shooting paid gigs, I always had a spare, identical body with me just in case something unfortunate occurred when shooting.
I personally never found it very useful to have different lenses fitted to them, and in most cases I never took the second body out of the bag; I'm not a very frequent lens changer, and do so even less when I'm shooting a paid gig. When I set up for a gig, I usually know pretty much exactly what I'm going to be shooting and with what equipment, when I'm going to switch lenses, etc. If I need two different lenses for a specific period of time, I'd set the bodies up differently for the two situations and use them together, of course, but that was by far an exceptional case.
I'm more likely, nowadays, to carry two cameras when I think I want to have the option of having two very different cameras to capture something different about a scene at the same time. So I sometimes carry, say, a digital camera and a Polaroid SX-70, or a Minox and a Hasselblad, or something like that. These situation are almost never anything like a paid gig, so it doesn't bother me at all if one of the cameras malfunctions or I run out of film unexpectedly. It's always opportunistic shooting, and if I get something that works at all I'm happy about it.
G
I personally never found it very useful to have different lenses fitted to them, and in most cases I never took the second body out of the bag; I'm not a very frequent lens changer, and do so even less when I'm shooting a paid gig. When I set up for a gig, I usually know pretty much exactly what I'm going to be shooting and with what equipment, when I'm going to switch lenses, etc. If I need two different lenses for a specific period of time, I'd set the bodies up differently for the two situations and use them together, of course, but that was by far an exceptional case.
I'm more likely, nowadays, to carry two cameras when I think I want to have the option of having two very different cameras to capture something different about a scene at the same time. So I sometimes carry, say, a digital camera and a Polaroid SX-70, or a Minox and a Hasselblad, or something like that. These situation are almost never anything like a paid gig, so it doesn't bother me at all if one of the cameras malfunctions or I run out of film unexpectedly. It's always opportunistic shooting, and if I get something that works at all I'm happy about it.
G