N
Nowhereman
Guest
Google states on the Nik Collection website, "We have no plans to update the Collection or add new features over time." So, Silver Efex, as part of the Nik Collection, is effectively abandonware. Eventually, Silver Efex will be unusable with new versions of operating systems and of Photoshop and Lightroom. This will be a problem for many of us who feel that Silver Efex produces a look that cannot be copied in PS or LR alone.
I wrote about this when I posted in another thread the picture below, which has a high-contrast look that I like. Indeed, I tried to see how close I could come to reproducing the look in LR alone: the closest I could come was by applying a VSCO Film preset [L - Ilford Delta 3200 -] as a staring point and then increasing Contrast and Clarity and changing the Tone Curve and Color Sliders (for color filter effects) — but the result was still far off from what Silver Efex does. The problem is that the tones remain too uniform and don't have the organic, rougher texture that Silver Efex produces. For example, inter alia, I cannot get the highlights into the wooden bar in the bottom left, or the texture into the highlights in the corner above the subject's head.
To achieve the look of the image below with PS or LR alone would require 20-30 separate masks — in LR using the Radial Filter. This is simply impractical. Impractical in terms of the time you would need, and also impractical because you wouldn't have the image below as a model of what you wanted to visualize.
In my view, other software, such as Tonality/MacPhun, also doesn't come close to what one can do with Silver Efex. My experience is that Silver Efex also produced better results when I used M-Monochrom files; and, ironically, also achieved better results with scanned or digitalized film files: after all, the second part of a "hybrid workflow" is digital.
So, when Silver Efex no longer works, quite a few people will have a problem in producing the type of B&W images that they like.
_______________
Alone in Bangkok essay on BURN Magazine
I wrote about this when I posted in another thread the picture below, which has a high-contrast look that I like. Indeed, I tried to see how close I could come to reproducing the look in LR alone: the closest I could come was by applying a VSCO Film preset [L - Ilford Delta 3200 -] as a staring point and then increasing Contrast and Clarity and changing the Tone Curve and Color Sliders (for color filter effects) — but the result was still far off from what Silver Efex does. The problem is that the tones remain too uniform and don't have the organic, rougher texture that Silver Efex produces. For example, inter alia, I cannot get the highlights into the wooden bar in the bottom left, or the texture into the highlights in the corner above the subject's head.
To achieve the look of the image below with PS or LR alone would require 20-30 separate masks — in LR using the Radial Filter. This is simply impractical. Impractical in terms of the time you would need, and also impractical because you wouldn't have the image below as a model of what you wanted to visualize.
In my view, other software, such as Tonality/MacPhun, also doesn't come close to what one can do with Silver Efex. My experience is that Silver Efex also produced better results when I used M-Monochrom files; and, ironically, also achieved better results with scanned or digitalized film files: after all, the second part of a "hybrid workflow" is digital.
So, when Silver Efex no longer works, quite a few people will have a problem in producing the type of B&W images that they like.
_______________
Alone in Bangkok essay on BURN Magazine

