farlymac
PF McFarland
It didn't go well. There is a major film transport problem.
With the Industar-26m 2.8/50 on Kodak ProFoto XL 100, straight scans, no crop

0001_1A000012870001 by br1078phot, on Flickr
Rich Patch Church
On my way to Covington, VA heading for Hays Gap, there is a wide spot in the road at the base of Porter Mountain called Rich Patch. The name referred to the iron ore veins that run through the Appalachians, and were especially concentrated in this area.
This is one of two structures that comprise what's left of Rich Patch, the other being a run down abandoned house across the road from the church. Unfortunately, none of those frames on the roll came out. This one is damaged somewhat, with gouges in the emulsion (those vertical streaks you see).

0002_2A000012870002 by br1078phot, on Flickr
Steeple
One of only two good frames, with just a couple of dust spots. Exposures on these first two look good, so at least the 1/125 speed is good.

0003_3A000012870003 by br1078phot, on Flickr
20 Plus Exposures
That's what I figure, according to the counter. But then the winder stopped at 30, which was kind of odd.

0004_4000012870004 by br1078phot, on Flickr
Partial
This is the second from last exposure I took that day, a little Presbyterian church and graveyard in Covington, VA. Even with the hood, it looks like I got a bit of flare.
Right next to the church is a parking lot which sits where the Virginia Central Railroad depot used to be.

0005_5000012870005 by br1078phot, on Flickr
Marker
Best shot on the roll, it was also the last one. Even though I had actually only taken six frames (the first was with the lens cap on a dry fire while loading), there was still plenty of film to shoot. But the winder just locked up, like I was at the end of the roll, so I rewound the film. It didn't take long to get it back in the canister, so I knew something was wrong.
I'm trying to remember how I lined this up, whether it was centered in the viewfinder, or I was trying to make sure the shadow was in the frame. I'm thinking the latter, with plans of cropping the power lines out of the frame.
Gonna take some work to get this ready for ICCD.
PF
With the Industar-26m 2.8/50 on Kodak ProFoto XL 100, straight scans, no crop

0001_1A000012870001 by br1078phot, on Flickr
Rich Patch Church
On my way to Covington, VA heading for Hays Gap, there is a wide spot in the road at the base of Porter Mountain called Rich Patch. The name referred to the iron ore veins that run through the Appalachians, and were especially concentrated in this area.
This is one of two structures that comprise what's left of Rich Patch, the other being a run down abandoned house across the road from the church. Unfortunately, none of those frames on the roll came out. This one is damaged somewhat, with gouges in the emulsion (those vertical streaks you see).

0002_2A000012870002 by br1078phot, on Flickr
Steeple
One of only two good frames, with just a couple of dust spots. Exposures on these first two look good, so at least the 1/125 speed is good.

0003_3A000012870003 by br1078phot, on Flickr
20 Plus Exposures
That's what I figure, according to the counter. But then the winder stopped at 30, which was kind of odd.

0004_4000012870004 by br1078phot, on Flickr
Partial
This is the second from last exposure I took that day, a little Presbyterian church and graveyard in Covington, VA. Even with the hood, it looks like I got a bit of flare.
Right next to the church is a parking lot which sits where the Virginia Central Railroad depot used to be.

0005_5000012870005 by br1078phot, on Flickr
Marker
Best shot on the roll, it was also the last one. Even though I had actually only taken six frames (the first was with the lens cap on a dry fire while loading), there was still plenty of film to shoot. But the winder just locked up, like I was at the end of the roll, so I rewound the film. It didn't take long to get it back in the canister, so I knew something was wrong.
I'm trying to remember how I lined this up, whether it was centered in the viewfinder, or I was trying to make sure the shadow was in the frame. I'm thinking the latter, with plans of cropping the power lines out of the frame.
Gonna take some work to get this ready for ICCD.
PF