css9450
Veteran
This thread came at a good time. I should be ready to develop my first roll this weekend. 
Mackinaw
Think Different
This thread came at a good time. I should be ready to develop my first roll this weekend.![]()
Be sure to download V2.0 of their best practices PDF. Development times are different from earlier versions.
I was pretty pleased with straight D-76 and continuous agitation. Nice looking negs.
Jim B.
x-ray
Veteran
Having made wet prints for people who only scan their film I conclude that many 'scan only' folks make much worse negatives (for wet printing) than us wet-printers.
I would agree. It takes a much better neg to make a really good wet print. I've seen a lot of what I'd call salvage scans from negs that would never give good wet prints.
css9450
Veteran
Be sure to download V2.0 of their best practices PDF. Development times are different from earlier versions.
Is that on their site somewhere? I don't see it just now.
I think I was looking at either 14 or 15 minutes in Rodinal 1:50, if I remember right. Probably 14. But I am not sure how current that is.
x-ray
Veteran
The correct development time for any film is what works for you and your printing / scanning setup. What's correct for me isn't necessarily correct for you or anyone else.
Freakscene
Obscure member
I would have gotten 40 frames, but am glad I didn't go to the very end, as when I unspooled the film in the darkroom it came right off the center, seems like the hole in the film didn't get caught by the tooth in the spindle.
All my rolls have come off the cassette spool in the camera. I gave the rest of it away and sent Ferrania a terse message.
Marty
Mackinaw
Think Different
Is that on their site somewhere? I don't see it just now.......
http://www.filmferrania.it/p30-info
Jim B.
Mackinaw
Think Different
......All my rolls have come off the cassette spool in the camera. I gave the rest of it away and sent Ferrania a terse message......
Until recently, a third party was doing the finishing (cutting the film, adding perforations, putting into the cartridge and boxes). They've now moved the finishing operation in-house.
Jim B.
2wenty
Well-known
Until recently, a third party was doing the finishing (cutting the film, adding perforations, putting into the cartridge and boxes). They've now moved the finishing operation in-house.
Jim B.
Ive shot 3 or 4 rolls all in different cameras and this hasn't happened to me.
sepiareverb
genius and moron
... I gave the rest of it away...
I’ve not missed mine, enjoying my UN54 and XX and lately back to PanF since the sun has returned full force to this northern clime.
css9450
Veteran
css9450
Veteran
Negatives are hanging up drying. Seems a little more contrasty than I am used to.
Uncle Bill
Well-known
I was gifted a roll of P30 I shot yesterday in a recently overhauled Olympus OM-2n and processed in HC110 B. following their directions to the letter. Granted it wasn't the nicest day for medium speed black and white film, I got some nice results with some tweaking in Lightroom. I won't be making any wet prints from this roll as I need a half dozen rolls to dial the exposure in.
I hope Ferrania can produce a large run of this film to get the cost down a bit. As I'm intrigued with what I could get with a sunny day.
Old Lock Door by Bill Smith, on Flickr
I hope Ferrania can produce a large run of this film to get the cost down a bit. As I'm intrigued with what I could get with a sunny day.

Mackinaw
Think Different
Negatives are hanging up drying. Seems a little more contrasty than I am used to.
Yes, contrast is the issue with this film. Those who make prints in a traditional darkroom are having the hardest time dealing with the contrast. Those who scan and post-process in PS are having an easier time dealing with the contrast. All of my pics on this thread were scanned (kind of obvious, I guess).
Jim B.
jawarden
Well-known
Yes, contrast is the issue with this film. Those who make prints in a traditional darkroom are having the hardest time dealing with the contrast. Those who scan and post-process in PS are having an easier time dealing with the contrast. All of my pics on this thread were scanned (kind of obvious, I guess).
Jim B.
I think whether scanning or wet printing there will be a learning curve, both for Ferrania and their customers. It's a higher contrast film, but it can be controlled. I'm looking forward to shooting more as soon as it's available.
css9450
Veteran
Some quickies. This was all shot with my N90S.
These are the most contrasty negatives I've ever seen. I can't even think what might be No. 2 on that list. It would be a distant second. First time I've ever reduced contrast on a scan. I might think differently when I see them on my monitor at work tomorrow.
BTW Is this first one a close relative of Larry Cloetta's car?
These are the most contrasty negatives I've ever seen. I can't even think what might be No. 2 on that list. It would be a distant second. First time I've ever reduced contrast on a scan. I might think differently when I see them on my monitor at work tomorrow.
BTW Is this first one a close relative of Larry Cloetta's car?




Larry Cloetta
Veteran
Some quickies. This was all shot with my N90S.
These are the most contrasty negatives I've ever seen. I can't even think what might be No. 2 on that list. It would be a distant second. First time I've ever reduced contrast on a scan. I might think differently when I see them on my monitor at work tomorrow.
BTW Is this first one a close relative of Larry Cloetta's car?
![]()
Pretty close, looks like about a ‘56 Speedster from the bumpers and what I can see of the taillights. Used to have a ‘56, sadly no longer. That’s a fairly high six figure car these days, so it’s nice to see someone just driving it around and parking it wherever.
Nice shots here, I have been using up my P30 pretty slowly.
Mackinaw
Think Different
.......These are the most contrasty negatives I've ever seen. I can't even think what might be No. 2 on that list. It would be a distant second. First time I've ever reduced contrast on a scan. I might think differently when I see them on my monitor at work tomorrow.......
Outside of the last pic, your scans look really good, not contrasty. Choice of developers seems to matter. Based on what I've shot so far, D-76 tames contrast than XTOL.
Jim B.
bayernfan
Well-known
D96 and Paranol S seem the best at keeping contrast in check.
https://emulsive.org/darkroom/devel...t-out-of-ferrania-p30-alpha-by-scott-micciche
https://emulsive.org/darkroom/devel...t-out-of-ferrania-p30-alpha-by-scott-micciche
Mackinaw
Think Different
D96 and Paranol S seem the best at keeping contrast in check.......
P30, being a motion picture film, was designed to be developed in D96. I wish you could buy it someplace. I don't want to go through the hassle of making it.
Jim B.
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