ChipNovaMac
Established
The Tri Elmar is dead (28-35-50). It was a great combo for film shooters, maybe not wide enough for those that went with the Leica M8. In some ways my thoughts about a Leica Tri Elmar with the focal lengths of 24-50-75 could hit a cord with both film and digital shooters.
For us old film shooters the 24-50-75 (or 90) was the perfect 3 lens combo to go shooting with. With the 1.33x FOV factor a 24-50-75 lens becomes a 32-67-100 FOV. In either format it becomes the perfect storm in FOV IMO. And for those of us that still carry a film M body - it reduces what we need to carry around.
I can see myself carrying the "MATE", a 35/2 or 35/1.2 and the CV 15 along with my M6 and M8 bodies....
For us old film shooters the 24-50-75 (or 90) was the perfect 3 lens combo to go shooting with. With the 1.33x FOV factor a 24-50-75 lens becomes a 32-67-100 FOV. In either format it becomes the perfect storm in FOV IMO. And for those of us that still carry a film M body - it reduces what we need to carry around.
I can see myself carrying the "MATE", a 35/2 or 35/1.2 and the CV 15 along with my M6 and M8 bodies....
arbib
Well-known
Not an M8 owner....But...
If I had the finances mind you, I would like a M8 with a 24-50-75 f/2.8 constant..
with proper VF frames for each FL.
I have a 28-75 f/2.8 on my DSLR (44-120 FOV)...Pretty close. I did look for a 24-75 f/2.8 but no one had one with a constant f/stop...I believe it was a 24-70 f/2.8-4..
But, I would buy one as an all around walk about lens for an M8. or may be a 22-40-75 (28-52-100)
This range is very versitle for many photo ops indeed.
If I had the finances mind you, I would like a M8 with a 24-50-75 f/2.8 constant..
with proper VF frames for each FL.
I have a 28-75 f/2.8 on my DSLR (44-120 FOV)...Pretty close. I did look for a 24-75 f/2.8 but no one had one with a constant f/stop...I believe it was a 24-70 f/2.8-4..
But, I would buy one as an all around walk about lens for an M8. or may be a 22-40-75 (28-52-100)
This range is very versitle for many photo ops indeed.
saxshooter
Well-known
constant 2.8? I am guessing it would be so huge that it would significantly block the VF and RF windows, making composing and focusing pretty difficult 
Ken Ford
Refuses to suffer fools
I'd buy one if I won the lottery.
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