dee
Well-known
To me , as a completely out of phase kid , magic pictures on the wall were fascinating .
I almost always shot reversal after that was it ASA 25 or something ?
I wonder if I have been missing the artificiality of Kodachrome , even Boots own [ Agfa or Fuji ? ], not to mention my favourite 1960s films .
It was all so simple - just send the film away , process paid and await the magic .
As I said in another thread , I upped the A290 [ ccd ] to Vivid and kicked the M8 up a notch .
Except for the Fuji X-Pro 1 ,with in camera conversion , which I have yet to attempt , I will stick with jpegs as I just don't like doing stuff on the i-mac very much .
I had not thought about this as I am always concerned that my glitches get in the way of personal choice .
It's only with a new acceptance of being otherwise , that I explore this .
Are there any cameras / settings which are close to that Kodachrome moment ?
Thanks
dee
I almost always shot reversal after that was it ASA 25 or something ?
I wonder if I have been missing the artificiality of Kodachrome , even Boots own [ Agfa or Fuji ? ], not to mention my favourite 1960s films .
It was all so simple - just send the film away , process paid and await the magic .
As I said in another thread , I upped the A290 [ ccd ] to Vivid and kicked the M8 up a notch .
Except for the Fuji X-Pro 1 ,with in camera conversion , which I have yet to attempt , I will stick with jpegs as I just don't like doing stuff on the i-mac very much .
I had not thought about this as I am always concerned that my glitches get in the way of personal choice .
It's only with a new acceptance of being otherwise , that I explore this .
Are there any cameras / settings which are close to that Kodachrome moment ?
Thanks
dee

