Fuji reala discontinued

Rogier

Rogier Willems
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Jul 7, 2008
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sad

sad

this came as a surprise to me. been using it as my primary color film for medium format. Now to find a suitable alternative
 
I no longer use any Fuji films - I swore them off when they kept killing off films that I used. Ilford is my favorite for B&W, Kodak for color.
 
What a bad new!!!!

I love this film!!!

JUst scanned a roll taken with my vito II loved the results!

Bad, too bad...
 
Another film goes bye bye.

That said I am not too sad that its gone, I never cared for it, one of the few im sure.
 
Never used one myself, but it indeed has a very nice color pallet.

I myself use Fuji for E6, Kodak for C41 and Ilford (or others) for BW. Hard to predict whether Kodak or Fuji will last longer - Kodak removed many films already, but they also updated (and at the same time economized) their Portra family and brought the Ektar 100. But recently Fuji discontinued many films. I hope that Velvia and Provia 100 and 400X are to stay, although I would understand if Fuji would limit the number of Velvia films.

The best we can do to keep the film longer is to USE IT. I am doing my best, are you? ;)
 
My "go to" general purpose color negative film. I tried the new Ektar (and still do), but the Reala gave me more consistent results. About a dozen rolls left in the freezer.
 
I think b/w will outlive colour simply because C-41 processing has to be done commercially for consistency (and avoidance of nasty chemicals). For that reason, I'm not stocking up on colour film - I'll buy it as I need it - but I have stocked up on b/w.

You'll still be able to buy Reala for ages. Neopan 1600 was discontinued a while ago but is easy to find mail-order.
 
The whole bunch of consumer CN films are rather similar now that pretty much every print first goes through a scanner - consolidating to one film per speed is quite a reasonable thing to do.

At least as long as one consumer CN film with huge exposure latitude remains - Ektar is nice, but quite unusual in that it does not like being overexposed, which makes it a poor choice for AF point-and-shoots (which usually have overexposure-heavy programs tailored to match consumer CN film).
 
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