The Changing Face of Photography
I was carrying a Fuji X-E5 in my bag recently, but when something caught my eye, I instinctively reached for my iPhone instead. That moment said a lot.
Students are arriving at university to study photography having never used a film camera, or even knowing what an aperture is. Camera shops are vanishing, and film plus processing have become ruinously expensive. Meanwhile, AI can now generate an image of anything you want, no lens required.
Things are changing. That’s the truth.
Photography used to be a craft grounded in physics, chemistry, and patience — reading light, handling film, waiting for the decisive moment. Now image-making has become almost frictionless, instantaneous, and increasingly synthetic. The boundary between photography and image creation is dissolving.
If Fujifilm really is moving away from traditional photography, it may or may not be true — but if I were running a company responsible for thousands of livelihoods, I’d be pivoting too. Fujifilm already sees its future less in cameras and more in imaging science, healthcare, and materials. They’ve recognized that their true expertise lies not just in capturingimages, but in understanding them.
It’s not the death of photography, just the end of a particular era of it. The tools have changed, but the impulse remains: to see, to record, to imagine. The question now is what “seeing” means when anyone, or anything, can conjure an image from nothing. (Both iPhone Grabs)