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PhotoGog
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Got a great deal on a Zeiss C Sonnar ... struggling with focus shift
Update: So I got some lab scans back of my focus shift test with the C Sonnar. I will spare you the excitement of the pictures of a measuring tape, but I am just keen to know if my deduction chimes with consensus on how this lens may operate. Any helpful feedback much appreciated.
OK, so I am pretty confident I can say I have a 1.5 optimised version. Point of focus at minimum focal distance was accurate at f/1.5; front shifted by 3 centimetres at f/2; front shifted by 2 centimetres at f/2.8; horrendously back shifted by 4-5 centimetres at f/4 and even f/5.6; then f/8 through f/16 all fine (though I detect slight continuation of back shift at MFD). Go figure. To be completely honest, all of this could just as easily be user error despite my care using the tripod. And it is difficult to deduce the best point of focus for some of the apertures based on the lab scans as I am no veteran pixel peeper.
However, in addition to sacrificing a roll on this test of patience and utter boredom (I was embarrassed to pick up the scans at the lab!) I put a roll of Ultramax through the M6 with the C Sonnar and just shot at most apertures. No notepad. No record. No worries. Maybe 6 frames unacceptably out of focus (only at MFD) from a roll of 36. Everything else magic such as the below. Ah, yes, this is why I love the lens.
In other words, I am not cut out to bother with slide rules and certainties. Life is too short. My attitude? Just shoot and accept that each roll of film will cost a 20 per cent dud tax for 80 per cent brilliance, at least as far as rendering goes before the more vital question of content. That seems better odds than life itself can offer. Yes, I am definitely keeping the lens even if I am none the wiser as to how it does what it does and how it does not. Simply put, in my limited experience and within my limited budget (never gonna own a Summilux) the C Sonnar is the only lens in 35mm format I have seen that even comes close to passing off renderings akin to the awesome Pentax 67 105/2.4.
Update: So I got some lab scans back of my focus shift test with the C Sonnar. I will spare you the excitement of the pictures of a measuring tape, but I am just keen to know if my deduction chimes with consensus on how this lens may operate. Any helpful feedback much appreciated.
OK, so I am pretty confident I can say I have a 1.5 optimised version. Point of focus at minimum focal distance was accurate at f/1.5; front shifted by 3 centimetres at f/2; front shifted by 2 centimetres at f/2.8; horrendously back shifted by 4-5 centimetres at f/4 and even f/5.6; then f/8 through f/16 all fine (though I detect slight continuation of back shift at MFD). Go figure. To be completely honest, all of this could just as easily be user error despite my care using the tripod. And it is difficult to deduce the best point of focus for some of the apertures based on the lab scans as I am no veteran pixel peeper.
However, in addition to sacrificing a roll on this test of patience and utter boredom (I was embarrassed to pick up the scans at the lab!) I put a roll of Ultramax through the M6 with the C Sonnar and just shot at most apertures. No notepad. No record. No worries. Maybe 6 frames unacceptably out of focus (only at MFD) from a roll of 36. Everything else magic such as the below. Ah, yes, this is why I love the lens.
In other words, I am not cut out to bother with slide rules and certainties. Life is too short. My attitude? Just shoot and accept that each roll of film will cost a 20 per cent dud tax for 80 per cent brilliance, at least as far as rendering goes before the more vital question of content. That seems better odds than life itself can offer. Yes, I am definitely keeping the lens even if I am none the wiser as to how it does what it does and how it does not. Simply put, in my limited experience and within my limited budget (never gonna own a Summilux) the C Sonnar is the only lens in 35mm format I have seen that even comes close to passing off renderings akin to the awesome Pentax 67 105/2.4.
