Just read the last several pages on this thread.
The thesis that an LCD doesn't provide some mystical connection to the subject is absurd. I started photography with a 6x6 cm screen view in a 1949 Rolleiflex ... A dim and difficult viewing/focusing environment compared to any of today's excellent LCD displays. And, wow, the image is reversed left to right too. Talk about being disconnected from the subject.
The truly absurd part of this thesis is that a GR, like most of the high end cameras in this class, can easily be fitted with a top notch optical viewfinder if you prefer that point of view. I use my GXR and X2 cameras set up that way quite often as I do often like to use an eye-level viewfinder. However, I use them just as often with only the LCD or with their EVFs too. All three viewfinder types have their plusses and minuses, and are advantageous in some circumstances.
Dogmatic drivel about the mystical connection embued by an optical viewfinder makes no sense, it's not rational or objective. It just marks a particular individual's personal bias and prejudice, their emotional attachment to a particular way of using a camera. Nothing wrong with that, but let's not attempt "philosophical" on something so absurd.
BTW, to the person who said that if they could find a large sensor, compact point and shoot with a 35mm EFoV they'd buy it: the Leica X2 is superb and fits this description almost perfectly. Classic controls, LCD built in, EVF and OVF options, top notch lens and image qualities. I have the Ricoh GXR and both A12 28 and 50 mm camera units, but I find I love shooting with the X2 even more because of the 35mm EFoV.
G