airfrogusmc
Veteran
My 262 was made in Weztlar.
Well, my opinion is that german workers, when specialized, are costly. If you want their level of expertise and care you must take into account this fact.
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Leica produces in Germany, one of the richer countries in Eu.
German specialist must be paid according to German standards and social customs.
Id rather they make the bodies in China and reduce the cost 50%...
Id rather they make the bodies in China and reduce the cost 50%...
The Communist regime in China abuses and exploits its own people more than enough already without Leica's help.
Greedy psychopath boards of directors from legions of corporations around the world who make their hundreds of millions from the sweat of China's slaves see to that.
I was thinking today about the prices of Leica bodies and lenses today, and the amount of alternatives available that, when pixel comes to pixel, deliver the image.
In 1969, an M4 with a 35mm and 50mm Summicron set would set you back about $700. In today's dollars, about $4600.
The modern equivalent will cost you just under $12.000 at Adorama.
... This whole whining about Leica prices has really gotten old. If you do not feel that the equipment represents good value at the asking price, then don't buy it. It's as simple as that. ...
Your premise is, with all due respect, incorrect. The closest equivalent to an M4 and 50mm Summicron would be an M-A ($4,195 at B&H) and 50mm Summicron ($2,195) for a total of $6,390. Yes, it's more expensive, but it's also a niche (film) product, which may account for the difference in price.
In addition, I do not understand where you get the $12,000 equivalent. An M Typ 240 will run you $6,595.00 at B&H. That, and the 50mm Summicron will run you $8,790.00, not $12,000. Unless, you are thinking of the latest 50mm Summicron APO, but that would not be equivalent, would it?
You forgot to factor in the 35mm Summicron, which bonatto also mentioned. They run about $3000, so add that to your $8790 and you come to almost $12000.
I'm not sure that they have alienated people (all right, when you think of it, I'm sure they have PO'd a lot of folks, sure). It's more a matter of Leica being irrelevant.
Their market is not photographers and hasn't been for a long time. They're a manufacturer of ultra high end luxury items that are all about status. The irony is that the build quality hasn't apparently suffered, but does any photographer NEED a Leica? Hardly, they need to be better photographers using the gear they have. Leica is all about selling the sizzle to people who think that an expensive camera will make them a better photographer. Anyone that thinks that is crazy, and yet, a lot of people are just that.
This is a generalization. but one that I trust is correct. Rich people tend to be highly insecure, which is why they need their egos constantly reinforced w/ expensive objects. The best house in the best neighborhood, the $200 hair cut, all that silliness. Owning a Leica is something that pushes the right buttons for them, and Leica, as all luxury goods makers totally understand, knows how to manipulate their customer's fragile egos. I remember getting an R3 once on eBay that came w/ it's own red velvet display case. What a stupid and distasteful thing that case was. I threw it away, and that's essentially what a Leica represents, and they know it. Something to show off and display to the common people.
You firstly refer to build quality, but I assume there is more to the question.does any photographer NEED a Leica?
Well there are certainly fools and their money, recalling a well-heeled young man back in the 60's who kept trading in his kits of gear hoping or expecting the next set to suddenly make his photography meaningful. I worked in the camera shop then, and recall his trading his complete Nikon F kit for a cased set of Hasselblad gear, and months later changing yet again. As a flamboyant character he did like to boast about everything, but I don't think his camera purchases were determined very much by status seeking.