Ezzie
E. D. Russell Roberts
I obviously need help using my L-318.
OK, I've used an old Gossen Sixon previously, and I dare say I never got an exposure wrong, or wrong enough to wreck the negative completely. I used reflective metering for the most part and incident whenever I had the main subject up close and available. For reflected light measurements I pointed it at the main subject area, then the sky and then the ground and made up my mind as to what would influence the shot the most. And it worked. However it was a pig in low light, selenium meter and all, so I thought I needed something better.
A month or so back I got hold of a Sekonic L-318. And started using it the same way. In low light situations I had great success. However when the lighting is bright and overcast (flat), or lots of snow (as it is at the moment) I seem to get it all wrong. I'm overexposing by at least a stop and half, and more at times. Seldom do I get it right in these conditions. I dare say that most of the negatives can be wet printed, they look dense and contrasty, but still have lots of detail. But my scanner will have nothing of it. Some are however unsalvageable.
I'm using 120 TMAX100 and Acros100 in Caffenol. Both work well in this soup normally, it tends to compensate the highlights somewhat, but can evidently not perform miracles. Both films push better than the pull however, so one stop may be OK, but two or more probably not.
Should I be using the ambient metering attachment under flat and/or bright light conditions, rather than the reflected light metering attachment? What else can I be doing wrong? (I've taken the Sixon with me when shooting with an old Welta folder, in the same conditions, and I have more luck)
P.S. Yes, I am going to get a spot metering attachment. But until then....
P.P.S No, I'm not going to get a better scanner, its done me fine so far. I will however be building a darkroom at a later stage.
OK, I've used an old Gossen Sixon previously, and I dare say I never got an exposure wrong, or wrong enough to wreck the negative completely. I used reflective metering for the most part and incident whenever I had the main subject up close and available. For reflected light measurements I pointed it at the main subject area, then the sky and then the ground and made up my mind as to what would influence the shot the most. And it worked. However it was a pig in low light, selenium meter and all, so I thought I needed something better.
A month or so back I got hold of a Sekonic L-318. And started using it the same way. In low light situations I had great success. However when the lighting is bright and overcast (flat), or lots of snow (as it is at the moment) I seem to get it all wrong. I'm overexposing by at least a stop and half, and more at times. Seldom do I get it right in these conditions. I dare say that most of the negatives can be wet printed, they look dense and contrasty, but still have lots of detail. But my scanner will have nothing of it. Some are however unsalvageable.
I'm using 120 TMAX100 and Acros100 in Caffenol. Both work well in this soup normally, it tends to compensate the highlights somewhat, but can evidently not perform miracles. Both films push better than the pull however, so one stop may be OK, but two or more probably not.
Should I be using the ambient metering attachment under flat and/or bright light conditions, rather than the reflected light metering attachment? What else can I be doing wrong? (I've taken the Sixon with me when shooting with an old Welta folder, in the same conditions, and I have more luck)
P.S. Yes, I am going to get a spot metering attachment. But until then....
P.P.S No, I'm not going to get a better scanner, its done me fine so far. I will however be building a darkroom at a later stage.