Hexanon 50 vs Zeiss Planar vs Summicron

SMC's

SMC's

The SMC's all manual are very inexpensive in m42 and k-mounts, maybe $50 or $75. I don't think they made them in LTM or M mount, maybe someone can correct me. They have made a few limited ones in 43mm and others in LTM, and these are often $700+ and snapped up by collectors.

Cosina or someone should built a rangefinder that used M42 or K-mount lenses, maybe even digital. Instant installed base of 24-70million lenses!!

Toby said:
Because I had the devil in me today I looked up standard lenses on www.photodo.com in MTF terms the summicron is second only to the Planar 45/2 the zm 50/2 is not tested. But I noticed that the canon fd 50/1.8got a very good score (4.4). You could buy that lens and a decent body to go with it for less than £100! The pentax smc 50/1.4 f got 4.6 -the same as the summicron and is 1 stop wider -does anyone know how much this costs?
 
peter_n said:
If anyone needs to look to their tolerances it is the German company who's lenses apparently don't work on Konica bodies.


Hold on a second.

Leica invents the M mount and over a period of 50 years manages to basically produce a 100% track record of compatibility, with at least 10 different incarnations of the M body.

Konica copies the M mount and get the flange focal distance wrong and somehow that indicates that Leica doesn't have their act together?

That's some pretty amazing logic you got going there.

What color is the sky in your world?


HL
 
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Harry Lime said:
Hold on a second.

Leica invents the M mount and over a period of 50 years manages to basically produce a 100% track record of compatibility, with at least 10 different incarnations of the M body.

Konica copies the M mount and get the flange focal distance wrong and somehow that indicates that Leica doesn't have their act together?

That's some pretty amazing logic you got going there.

What color is the sky in your world?


HL
Oh...this again. 🙄

Check here:

http://www.dantestella.com/technical/flange.html

For the record (again), I've used a few lenses from Wetzlar/Solms' way on both my HRFs without incident. Not trying to score points, just heading off a food-fight at the pass. 🙂


- Barrett
 
amateriat said:
Oh...this again. 🙄
Check here:
http://www.dantestella.com/technical/flange.html
For the record (again), I've used a few lenses from Wetzlar/Solms' way on both my HRFs without incident. Not trying to score points, just heading off a food-fight at the pass. 🙂
- Barrett

I'm not trying to argue if the Hexar lenses work properly or not.

My point is that the other fellow is saying that Leica is being sloppy in their manufacturing, because their lenses may have a problem on the Hexar, which Konica designed with a different engineering philosophy and approach than Leica, who invented the mount in the first place.

That doesn't make any sense.

Hexar copied Leica, not the other way around.

Some of my background is in engineering and if you are going to reverse engineer something, you do it warts and all, if you want 100% compatibility.

Hexar decided to anchor their lenses to the body (pressure plate)
Leica decided to anchor theirs on where they theoretically 'expect' the body to be.

That's not the same thing. So, you can't say that Leica screwed up, because their lenses may not work properly a mount / camera that isn't an EXACT copy, warts and all.

That's like setting out to make a PC clone, deciding you didn't like some aspects of the design spec, made changes to it and then complained that Windows didn't run properly on it.


HL
 
raid said:
Toby:

I am currently using SMC lenses after not getting close to them for many years. In fact, I have the 50/1.4 SMC mounted on the Pentax ME Super, while I have the 50mm/4 macro SMC on the Spotmatic F and the 28mm/3.5 SMC on a Spotmatic. Each lens is tack sharp and a pleasure to use.

I am not surprised that the 50/1.4 SMC has such a high score.

Thanks Raid

My experience with the 67 has given me a soft spot for pentax, so I might keep my eye out for a couple of bargains
 
Peter_N is an old and trusted hand here, and if I may suggest, his statement is factually based, but also in the spirit of 'gentle' tongue in cheek 🙂

I think what Peter is saying is that the Konica lenses are made to exceptional tolerances (equal to Leica). These internet rumors about incompatibility between Konica and Leica (lens/body or body/lens) get stirred up by, quite frankly, those who don't own and don't use the lenses. Or those who are so hyper-critical and wedded to shooting wall resolution test charts that they have sent various Konica AND Leica lenses to DAG for inconsequential adjustments.

As Amateriat has noted (and as many other actual owners have concured with) there is no incompatibility between KM lenses and Leica bodies. And though I don't know personally about Leica lenses on Hexar bodies, I will take Amateriat's word for it that there is no incompatibility issue that direction either.

I own both Leica and hexanon equivalents, as do many others on this thread. And our collective opinion - as opposed to those who are commenting without benefit of actually owning these lenses - is that hexanon lenses are at least equal if not better to their equivalents. Add to that Konica produced them far less expensively than Leica ...

So in that sense, Peter is correct (although I bet his response was really not a dig against Leica, rather teasing praise for Konica). Trust me, Peter owns Leica lenses and he is certainly not a Leica basher. If anything he would probably fight tooth and nail if you tried to run off with his favorite 35 summilux-asph. The long and short of it is, Konica built exceptional lenses that work on both Leica and Konica bodies. That is pretty good 'tolerance' in my book 😉

'That other fellow' is a real good guy and photographer, and he knows his hexanons and leicas, as he has both, and uses them.

Leica-philia should be a gentle crush, not a religion. I think highly of my leica lenses, but I am not so dogmatic as to be unable to appreciate a better or equal lens when I see one.

cheers folks (we are just talking about lenses 😛 )
 
Harry Lime said:
That's like setting out to make a PC clone, deciding you didn't like some aspects of the design spec, made changes to it and then complained that Windows didn't run properly on it.


HL

That would be great !!! (Linux user and open-source defender)
 
benjaminlr said:
That would be great !!! (Linux user and open-source defender)

I hear you, with all the Windows security bugs and weaknesses, I'd just as soon it didn't run on newly designed PCs 😉

oops, didn't mean to start a MAC v. Windows v. Linux v. open source war :angel:
 
RayPA said:
I know this was directed to Trius, Earl, but I see those shots as having that Hex "look." I see it very distinctly in the blacks and the tones just above black and up to middle grey. What we call it, I don't know. I don't find it offensive at all. I like it and IMO it is not an indication of a poor quality lens. Those shots look great (good job, Gene). Look at the bokeh in those shots. It's gorgeous! I'm not selling my Hex lenses anytime soon.

😛
Ray: Yes, they have that same look, and I agree with your decision to keep your Hex ... unless you want to send it to me for long-term experimentation purposes, of course! My point was that while the look is in the Hex "family", it is still quite different due to Gene's workflow and the lighting conditions.

And yes, the bokeh is simply outstanding; the balance between sharpness, contrast, bokeh and "weight" is what "sold" me on the Hexanon 50. That said, I can certainly appreciate the Crons (had the DR and LOVED it) and Zeiss 50s.
 
Harry Lime said:
That's like setting out to make a PC clone, deciding you didn't like some aspects of the design spec, made changes to it and then complained that Windows didn't run properly on it.


HL
That would be a perfect clone then, since Windows never runs properly on any machine. 😛
 
I have been followiong this thread with interest, not least the comments on Pentax Glass. (The price of the M42 primes has rocketed due to the fact that they can be used on just about any DSLR with an M42 adapter). Indeed it was one of the reasons that I went away from Canon RF and moved to Leica - I wanted something which would give me results as good as the Pentax. However, that is slightly OT. I did run some comparisons between Pentax/Leica/Canon/VC etc. The point that struck me most was that although there were differences caused by the glass, there was probably an even bigger difference between different film stocks. You can point different lenses at various test charts etc and put them in a league table. However these differences are so small that you would hardly notice the difference in everyday use. I find the general "feel" of the lens and it's character are far more important to me than any empiracal test results.

So to go back to the original question, I would go for the one that not only suited the budget the best but also "felt" right on the bodies you intend to use it on. The decision may come down to the feel of the focussing tab (if there is one). If you are not comfortable using a lens, you won't produce the best results with it.

Kim
 
Toby said:
Because I had the devil in me today I looked up standard lenses on www.photodo.com in MTF terms the summicron is second only to the Planar 45/2 the zm 50/2 is not tested. But I noticed that the canon fd 50/1.8got a very good score (4.4). You could buy that lens and a decent body to go with it for less than £100! The pentax smc 50/1.4 f got 4.6 -the same as the summicron and is 1 stop wider -does anyone know how much this costs?

Hi, Toby -

I think that your reference to photo.do is actually quite useful. It's just necessary to look a little beyond the summary score.

Photo.do begins with the assumption that measurements at f/4 & f/8 are the most relevant to photographers to assess lens quality, so their lens scores are an average of the measurements at these 2 aperture settings. In these days of flash photography & zoom lenses, that is probably a fair assumption.

However, it is not the most relevant information for RF photographers who are shooting with available light. We are at least as interested in how the lens performs wide open as we are in how it does when stopped down. Fortunately, photo.do also provides this informaton. Below I've listed the "average weighted MTF" scores from photo.do for 4 apertures : wide open (f/1.8 or f/2), f/2.8, f/4, & f/8:

Contax G 45/2 - 71, 83, 88, 87
Hexanon 50/2 - 74, 78, 84, 87
Summicron 50/2 - 78, 81, 85, 87

These are the only 3 lenses that I've seen at photo.do that score above 70 at f/2. They are all outstanding lenses. The Summicron has the highest score wide open, the Contax G at f/2.8, but the differences between even the best & the worst at these two apertures are small. At f/4 & f/8, there's not a dime's worth of difference among the three. Photo.do did not test the ZM 50/2, but judging by its MTF, by its lens design & by the Zeiss designed Contax G 45/2, my guess is that its numbers would be very similar to these three.

Let me contrast these ratings with those of 3 SLR AF lenses at the same apertures:

Canon 50/1.8 - 67, 77, 81, 85
Nikon 50/1.8 - 62, 78, 83, 86
Pentax 43/1.9 - 56, 72, 75, 81

All of these are lower than the RF lenses wide open. Does this mean that the RF lenses are better lenses? I would respond by asking: better for what? If you are using flash & rarely if ever use f/2, then the SLR lense are probably just as good for your purposes. But if you shoot available light & rely on f/2 & f/2.8 fairly often, then the RF lenses are decidedly better.

It might be asked whether Leica & its recent competitors are just making better glass. Consider the Leica R 50/2 Summicron, made for SLR use:

Leica R 50/2 - 68, 79, 87, 85

Very similar to the Canon. It sems that the intended use is more significant than the manufacturer. They just don't seem to take the design stage to the same level for SLR lenses that they do for RF lenses atthe widest apertures.

The Canon lens that you used for comparison was actually an earlier MF design:

Canon MF 50/1.8 - 55, 77, 84, 85

The newer AF design is actually improved at the widest aperture, so it's not a matter of modern design & manufacturing cutting corners. The same can be seen in the development of lens design at Nikon where the AF MTF at f/1.8 of 62 is an improvement over the old MF design:

Nikon MF 50/1.8 - 57, 72, 78, 85

You also asked about the Pentax SMC AF 50/1.4. It is similarly weak at the widest apertures. It's numbers are listed below with the first number being the average weighted MTF at f/1.4 and the succeeding numbers for f/2, f/2.8, f/4, & f/8:

Pentax 50/1.4 - 50, 66, 75, 82, 84

While these tests are often disparaged, I find them useful as additional data. They have their limits. They tell us nothing about flare resistance or bokeh, the latter having increased importance with wider apertures & reduced depth of field.

It's also important to note that the scores are averaged & center weighted. The average is a composite of about 48 different readings at various points in the field. Although everyone would probably agree that the center of the field is the most important & summary ratings should be weighted in its favor, it is also important to note that these numbers will never capture the character of a lens, its fingerprint. If someone falls in love with a Zeiss Sonnar, it is important to keep in mind that its reputation is sharp in the center with increasing unsharpness in the field. Many have valued its look for portraiture. However, its score - not available from photo.do - might not be as high as some other lenses because of lower scores as it is measured off center & into the corners. In contrast, someone wanting to use a lens for shooting landscapes might really care about a flat field with sharpness as evenly distributed across the field as possible. For such a use, a center weighted score might not be desirable at all. In terms of lens testing, lens performancefor this use can best be understood by looking at the MTF curves across the field & at different apertures.

I hope this is helpful. 🙂
 
Hi Huck,
I don't think it is so much being designed for a different intended use but rather a design effect of very different construction. The whole ethos of SLR 50mm design is diferent from the RF counterparts because the elements have to be larger due to the mirror box. Such emprical tests can also be misleading. AP, one of the better UK pubs adopted the Pentax 43mm ltd as their benchmark lens because of it's performance and yet the tables don't reflect this. It is often quoted on forums and is in the Pentax literature that the 50/1.4 should not be used for macro work or flat field copying. They recommend the use of the 1.8/1.7 as being "sharper". This would agree with the figures quoted and my experience (better still use the 2.8 macro for such work!) However, the 1.4 and the 43 both portray a 3D object in a much more pleasing manner and have much better Bokeh. As one of our french members frequently points out, such tables are great if you want to make huge enlargements of photos of brick walls. 😉

I do use both the 1.4 and 1.2 Pentax close to wide open for a good deal of the time to control DOF. Even with 50 ISO film, I find the slow top speed on an M something of a disadvantage on a bright day. Hence my comment earlier about the character and handling of a lens being far more important than "test" results in producing a picture rather than a test shot.

Regards
Kim

Huck Finn said:
Let me contrast these ratings with those of 3 SLR AF lenses at the same apertures:


All of these are lower than the RF lenses wide open. Does this mean that the RF lenses are better lenses? I would respond by asking: better for what? If you are using flash & rarely if ever use f/2, then the SLR lense are probably just as good for your purposes. But if you shoot available light & rely on f/2 & f/2.8 fairly often, then the RF lenses are decidedly better.


It seems that the intended use is more significant than the manufacturer. They just don't seem to take the design stage to the same level for SLR lenses that they do for RF lenses atthe widest apertures.
 
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