Interesting stories... and that many here had a pre-teen start. My dad had a mild interest but that wasn’t conveyed to me. I was about 23 when I got into photography, and stationed overseas with the USAF. My mother, bless her, had insisted I take a camera, so I got a box Brownie but was lax in using it and sending home the snaps.
Then on quiet night shifts I got to talking with a guy down the hall in Base Ops who was a photo enthusiast. It caught, as he had access to the base photo lab after hours.. I found that my Brownie 127 had two f/stops, Sunny and Cloudy Bright. And two shutter speeds; flash door closed and flash door open. So I had about 6 stops exposure range to play with, leading to better pics. My photo friend persuaded me to get a better rig, my first 35, scale-focus and leaf shutter. Off-duty I would walk the 18 miles either to or from town, different routes, and all over the city, finding subjects that I wouldn’t have seen without the photo enthusiasm.
On the way back to duty in the States I had some leave in Istanbul and Paris, and that time was photo-intensive, same as vacations now. I worked part-time in the camera shop in town near the air base, meeting a wide variety of others with photo interests. I met a memorable wannabee, rich kid who bought a big Nikon kit, traded it for Hasselblads, traded that gear for Leicas, turned that stuff in for Bolex equip, and sadly never made good use of any of it. And got to know my first elitist, the store half-owner too good to wait on customers, upstairs framing his latest masterpieces. He used Hasselblad exclusively, and did know which side was up. I had free use of all the used camera gear, and bought my first Pentaxes.
Out of the military and back to college and work, I found how stultifying it can be in a big “formal” camera club. Interesting resources and events, but rigid thinking. I had a darkroom set up in an apartment closet, read the magazines, read each month’s issue of the Encyclopedia of Photography, 25+ volumes (not sure if that’s the same as Ezzie mentioned). And wandered Seattle with two cameras around my neck. Anyone else buy into correspondence classes with the Famous Photographer’s School? Modern School of Photography? 🙂
Later, having moved out of the big city, and self-employed, I took a class or two each quarter at the local university for several years: All the photography offered plus individual studies (yeah, Oh Two, under Jim Sahlstrand!), art history, color theory, design, calligraphy, etc. Saw “academic photography” as a genre. Had half of a two-man show at the local gallery.
As others have mentioned taking breaks from photography, so have I, and then I’ll get back into it in a somewhat different way. I skipped the 1990’s and SLR featuritis. I’ve learned from RFF and other sites online, and taking on challenges in my way of making photos. But, as a former mechanical engineer, I can’t escape a liking for the gear. 😀